 |
| Artwork by Cauê Piloto |
Just by their name alone, Seattle funeral doom quartet Un would lead you to believe that they are bleak and depressing, bogged down in the darkness of negative energy. The word “un” signals everything that is not: unhappy, unloved, unliving. The band even states that they wrote their latest album, Sentiment, “as a token of gratitude for all those who struggle against the weight of their own existence.”
“If you have ever questioned your worth,” they write, “if you have ever felt unloved, if you have ever asked yourself if any of the pain is really worth it... these songs are for you.”
There are only four songs, the shortest of which is almost 12 minutes long. Each varies between slow and slower, heavy laden under layers and layers of pulverizing, rumbling fuzz. Singer/guitarist Monte McCleery (who also handles bass duties in heavy doomsters Samothrace) sings an a scraping growl that sounds like a boulder being rolled from the mouth of a tomb.
Yet for all its crushing despair Sentiment is luxuriant and warm, with a contemplative quality that’s ultimately uplifting and even triumphant.
Album-opener “In Its Absence” begins with a radiant, singular guitar melody that evolves into a massive, lumbering riff. On the album’s strongest song, “Pools of Reflection,” guest singer Kelly Schilling of Dreadnought brings an ethereal quality with her high, angelic voice, contrasting nicely with McCleery’s growl and providing a brief reprieve from rumbling morass. The album’s last song, “A Garden Where Nothing Grows,” features an almost psychedelic melodic section with a slow-burning clean solo, before ending in a slow, blackened frenzy. With these last notes, Sentiment leaves the listener with a sense of aching loss that nevertheless feels radiant and serene.
Sentiment was released in September last year. More recently Un released a split with UK doom trio Coltsblood.