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| Artwork by Mark Facey |
Dreadnought’s fourth elemental themed album, Emergence, carries on the band’s signature sound while tightening it up. Pulling back from the dizzying density of A Wake in Sacred Waves, it's their most direct album but it doesn't sacrifice any of their intensity.
Emergence is still, at its core, piano-heavy blackened progressive rock. The driving tremolo riffs and shrieked vocals are still prominent, as are Kelly Schilling and Laura Vieira’s lovely piano-accompanied clean vocals and Jordan Clancy's intricate drumming. Flute, saxophone, and keys all make appearances, as with earlier releases, but Dreadnought sound more focused than ever before.
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| Photos by Kyle Gaddo. |
Their first three albums showed ever-ascending progress towards the progressive zenith of A Wake in Sacred Waves, their busiest, heaviest, jazziest, and most dense album. It eschewed some of the dynamic push/pull between heavy and ambient found on Bridging Realms but lost some of the impact of their sound on that album. Emergence brings it back and does it better than on Bridging Realms. There is more defined separation between the band’s main styles; metal, piano-driven rock, and ambient. The sections are also less meandering than on previous albums giving the record a more immediate, less ethereal quality. Sections are more defined, making them stand out so, upon repeated listens, they build familiarity faster than before. The whole album is more immediately gripping while still giving a lot for the listener to dig into. Songs are still long, the compositions are still dense, but it all works and flows better than anything else in the band’s catalog.
Emergence is an excellent entry point into Dreadnought's catalog as well as a refreshing refinement of their formula, but anyone new to the band would do well to check out their other albums. Even though Emergence is their best work they haven’t released anything less than “extremely” compelling.
