November 29, 2017

Shooting Guns - Flavour Country

By Matt Hinch. You know why instrumental music is important? Without the distraction of someone else’s narrative your mind can open up and create its own story to which the music provides the soundtrack. Or conversely, the opened mind can
By Matt Hinch.


You know why instrumental music is important? Without the distraction of someone else’s narrative your mind can open up and create its own story to which the music provides the soundtrack. Or conversely, the opened mind can empty and simply let you drift into a state of mental suspended animation where no inner dialogue interferes with peace. How your mind chooses to handle riff wranglers Shooting Guns and their latest effort, Flavour Country surely depends on a number of factors but isn’t it worth a try? Just to see? C’mon. It’s cool, man! (Yes, I am peer pressuring you.)

Shooting Guns generally have two methods for propelling you into higher states. The first is a hard-driving heavy psych and the other is a more prairie-fed approach leaning on Americana (or Saskatchewana in this case). On Flavour Country’s six tracks we get a taste of both.

The first two tracks (“Ride Free”, "French Safe”) take the former approach. “Ride Free” show no signs of organ failure as Hammonds are all over this one, driving the free ride down an endless highway. It’s a common feeling one gets from Shooting Guns and their ability to take hold and whisk you away. Their video for “Go Blind” always comes to mind when they’re in this mode. Just rollin’ and rollin’, plowing through whatever they encounter. It’s a more apt visual for “French Safe” though as it crashes harder and faster. Enough so that you can picture the train outfitted Mad Max-style blasting through the lines in its scant 1:42.

“Beltwhip Snakecharmer” and “Vampires of Industry” are the more dusty sunset type tracks here. Laid back and breezy. They’re more chill than the first two for the most part. After the high octane beginning these two feel like you’re stopping for the night on some sort of trip. The setting sun, stillness of night, and soothing psych lead to bliss as guitars and keys dominate with relaxing atmosphere.

A clip from the movie Slackers sets up the album’s final third where the title track and “Black Leather Jacket” bring back the heavy. Heavy psych that is. As usual a base riff keeps the tracks cohesive as the psych-laden leads wander the plains filling mind and soul with images and landscapes. Muscles get loose and eyes get heavy as the slow burn takes hold. Total zoner. But Shooting Guns always find a way to heavy it up, even just for a little while.

The ever-prolific band does what they do again on this one. They stick to their strengths (fuzz, psych, atmosphere, and groove) and deliver another strong album ready to take a load off your mind. Welcome to Flavour Country.

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