June 19, 2020

Eye of Nix - Ligeia

By Justin C. A tidy genre tag for Eye of Nix is elusive. We could go with Black/Doom/Avant Garde, from their Bandcamp page, and that’s more or less O.K., but that leaves out the gothic, psychedelic, and sometimes operatic elements. Maybe “post-everything” covers it.
By Justin C.


A tidy genre tag for Eye of Nix is elusive. We could go with Black/Doom/Avant Garde, from their Bandcamp page, and that’s more or less O.K., but that leaves out the gothic, psychedelic, and sometimes operatic elements. Maybe “post-everything” covers it.

Their newest, Ligeia, is that rare album that manages to encapsulate a wide palette of sounds without sounding like an album made by seven different bands. The first track, “Concealing Waters,” is actually a pretty good introduction in more ways than one. It’s a mysterious opener that showcases a lot of the sounds you’re going to hear on the rest of the album. Lush guitars and clean vocals start out, creating a doomy, psychedelic start reminiscent of Ides of Gemini and even a little bit of The Doors. Vocalist Joy Von Spain weaves a spell, but the perspective takes a hard left when the drums start to blast and she adds blackened harshness to her vocals. Sure, the song is almost 7 minutes long, but in a contradictory way, it feels both more immediate and more expansive than that run time suggests.

“Pursued” charges out of the gate with more of a death metal feel, but the proggy, off-kilter touches you heard in the album opener are still there, even if the mood has suddenly turned more vicious. This track also features the first demonstration of Von Spain’s operatic style of vocals. It’s typically not a style I enjoy in metal or its natural habitat--although I appreciate the skill--but Von Spain’s use of it as just one of the styles in her arsenal works for me.

The rest of the album dwells in these dualities--”Stranded” starts in an ethereal plane before moving to churning heaviness--and it’s a sound to behold. All of the band members get a chance to shine here. The intricacy of the drumming, the atmospheric guitar, the bass providing the solid bridge connecting the instrumentals, and the synths and “sound collages” are all showcased at one point or another, but yet this is still very much a band effort, and that band is exploring its own path in a very unique space. Even if one of the many things I mentioned here is usually a turn off for you, I highly recommend you give the whole a chance.

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