Oranssi Pazuzu - Muukalainen Puhuu & Farmakologinen

By Karen A. Mann. For most North Americans, their introduction to Finland’s otherworldly Oranssi Pazuzu came with the 2013 release Valonielu, an engaging head-scratcher of an album that seemed like a missive from another world.

By Karen A. Mann.

For most North Americans, their introduction to Finland’s otherworldly Oranssi Pazuzu came with the 2013 release Valonielu, an engaging head-scratcher of an album that seemed like a missive from another world. The band followed up with 2016’s Värähtelijä, which launched the band’s free-form blackened psychedelia into the sonic cosmos -- and landed them on a lot of year-end best-of lists. While the band seemingly appeared out of nowhere with Valonielu, they actually had been recording and releasing albums in Europe for several years. Now, thanks to the band’s higher profile, 20 Buck Spin is re-releasing two previous albums and the band’s half of a split EP with Candy Cane, another band from Tampere, Finland.


The first, Muukalainen Puhuu, was originally released in 2009, and shows that Oranssi Pazuzu had a solid vision for their sound from the very beginning. As with every Oranssi Pazuzu release, the only constants here are singer/guitarist Jun-His’ corrosive, almost mechanical sounding vocals, and a sense that you just never quite know where the music is going to take you. Tribal drumming, discordant guitars and droning ambience all make an appearance. The organ does have a more prominent role in this release, and as a result, the music is a bit warmer than the band’s other releases.

Farmokologinen, which is Oranssi Pazuzu’s four-song half of the the split with Candy Cane, is much colder, bleaker and more dramatic. It’s short, but powerful, and shows the band fully diving into a more blackened sound. Perhaps because it’s so short, it’s also the most cohesive, least otherworldly of these re-releases.

The last re-release is 2012’s Kosmonument, a double album , which is unfortunately not on Bandcamp. The band returns to a spacey, rhythmic sound, at time veering into trance and blackgaze. Kosmonument was originally released in a very small quantity with detailed artwork, which 20 Buck Spin is replicating in this re-release.

There’s a lot to explore in all three of these Oranssi Pazuzu re-releases. Each offers a new musical ocean on which they seem to be the only qualified ship captain. Oranssi Pazuzu doesn’t defy genres as much as sail along unencumbered by them. The upshot: If you loved Valonielu and Värähtelijä, you will not be disappointed in any of these releases.

Oranssi Pazuzu - Värähtelijä

By Karen A. Mann. Finland’s experimental black metalists Oranssi Pazuzu have always reveled in defying genres and expectations. On their fourth album, Värähtelijä, they take their expansive, avant garde creations and send them into the sonic stratosphere

By Karen A. Mann


Finland’s experimental black metalists Oranssi Pazuzu have always reveled in defying genres and expectations. On their fourth album, Värähtelijä, they take their expansive, avant garde creations and send them into the sonic stratosphere. The result is a harrowing and darkly psychedelic journey to the center of your mind.

The first song, “Saturaatio,” is takeoff, beginning with ambient noise and rolling drums that explode into buzzing sound effects, horror show organ and wacky wah guitar. After a frenzy of blackened guitar, you settle in for a steady cruise over a devastated landscape.

Oranssi Pazuzu 2012. Photos by Webzine Chuul.

Each song is like a new, unexplored planet where terrifyingly strange and beautiful noises await, and Oranssi Pazuzu is happy to inject you into a pod and hurtle you off into the atmosphere to experience them.

The album hums along, winding its way -- and often doubling back on itself -- through tribal drumbeats, odd time structures, blackened freak-outs and soothing sounds. Throughout, Singer Jun-His’ trademark angry, inhuman vocal sound especially unholy on Värähtelijä, like a demon who is deeply disturbed by your visit, and is going to hover behind you, wailing and pleading, for the remainder of your journey. The album finally spirals back down to earth on “Valveavaruus,” which ends the album on a quiet, reflective note.

Ulla - My Year 2013 In Review

Written by Ulla Roschat.

There is of course no way to log-out from this year correctly without doing a list of what was best. So here is my list in terms of music. The list is easy to read. First I listed albums I reviewed for various blogs (Metal Bandcamp, Free Your Soul, and the now closed Temple of Perdition) and I just added some lines from the reviews. Then I listed all the great releases I unfortunately hadn't have the time (yet) to review. so they stand here quasi naked, but no less loved by me. The order is only roughly be understood as a ranking. That's why I put no numbers to them.

Eibon - II

This is about 2x20 minutes of violence, dispair, pain and hopelessness with the vigorous organic intensity of a live recording. Eibon absolutely capture the atmospheres and emotions of Otto Dix's triptych Der Krieg, which they chose as cover artwork, and they transformed the painted artwork into a richly textured soundscape of atmospheric blackened doom.

[Go to the post to view the Bandcamp player]

Cultura Tres - Rezando al Miedo

Cover art from the painting "Day of Judgement" by Damian Michaels.

Intricate multi layered structures and an enormous dynamic range are the base and frame on which Cultura Tres build and which they fill with their individual blend of sludge, doom, psychedelia. blues, drone, folk and whatnot. With their unique use of bent, blue notes and dissonances they create a special sense of hypnotic creepiness and alienation.

[Go to the post to view the Bandcamp player]

Nightslug - Dismal Fucker

This is the epitome of sludge, a nasty grimy monster that crawls through your ears into your brain to rearrange your poor brain cells with unrelenting thick heavy riffs, punishing drums and vicious vocals. This is a head spinning trip through destructive rage and groove laden doom. It's bold, abrasive, brutal and slugs right into your face.

[Go to the post to view the Bandcamp player]

Cult of Occult - Hic Est Domus Diaboli

This is the devil's house and Cult of Occult cordially invite you to enter. Images of occultish doomy atmosphere. ritualistic rhythms, slow heavy abrasive sludge, waves of distortion and screaming vocals with the energy of a hot blazing firestorm accompany you during your visit in this house.

[Go to the post to view the Bandcamp player]

Year Of No Light - Tocsin

Is it the fact that the album is entirely instrumental, or Year of No Light's experience of actually having made movie soundtracks, the overall dark and orchestral sound (3 guitars, 2 drums, 1 bass, 4 of 6 band members taking care of all electronic sounds keys/synths) or their ability to create that incredible balance and tension between heaviness and atmospheric parts of which both strike with devastating emotional impact?... whatever might be to blame for creating movies in my head... who cares.

[Go to the post to view the Bandcamp player]

Lords of Bukkake - Desagravio

There's intensity all over - the intensity of direct nasty brutality, of the depressive heavy doom and of the intricate jazzy structures that drench everything in a kind of jazz-doom mood thats absolutely amazing. And Lords of Bukkake merge it all so well into an organic experience with a feel of chaotic anarchy not least because of the insanely brilliant jammy guitar solos with a huge amount of emotional impact.
YouTube

Napalm Christ - 2013 Demo

This is an utterly refreshing mixture of grinding crust HC, death, sludge and doom metal. Refreshing it is especially because Napalm Christ's style of combining the elements is so unique. They don't simply throw them all together into a cauldron and stir and boil them to one clump. Instead all is dispersed in unequal lots to the songs to give each a different taste of the atmosphere.

[Go to the post to view the Bandcamp player]

Buioingola - Dopo l'Apnea

Artwork by Virgilio

With their mix of black, ambient, post, sludge metal, some crusty HC and industrial influences Buioingola create atmospheres of darkness and discomfort in different shades and nuances. There are moments of dispair and fear, panic, desolation and sorrow and most of all there's an overwhelming feeling of melancholy and detachment.

[Go to the post to view the Bandcamp player]

Deep - Vol 1

This is a lysergic trip on a thick fuzzy magic carpet through various places and atmospheres, always carrying a bit of the previous mood to the next place and still each place, each song has its own magical mood, drawn from a variety of musical styles and influences. With a kind of wild and anarchic creativity Deep made an album that takes you on a magic trip with unexpected turns to unexpected places (Deep's Bandcamp is streaming-only).

[Go to the post to view the Bandcamp player]

Shroud Eater - Dead Ends

Here are groove ridden swampy sludge riffs, furious tribal drumming, thick driving basslines and bellowing howling vocals drenched in a haunting and brooding atmosphere. Dead Ends is a coloss, the sound is monolithic, but what amazes me most is the way the musicians play off each other.

[Go to the post to view the Bandcamp player]

UR - UR

This is a superb blend of atmospheric post metal and doom. Most striking are the slow and long build ups that are able to carry their tension into the ambient soundscapes without drowning all the subtler details. This gives the songs a kind of filigree elegance and texture still embraced by doomy heaviness.

[Go to the post to view the Bandcamp player]

Obelyskkh - Hymn To Pan

A sense of lushness is carried through the entire album. Be it the strong compelling melodies, the violent, heavy riffs, the psychedelic vibe, ritualistic chants and rhythms or even the beautiful quiet piano parts, everything breathes abundance. And this sense of lushness and abundance gets even enhanced and multiplied, because Obelyskkh max out their dynamic range and use it effectively by either creating contrasts or slow build ups of energy.
SoundCloud

Dopethrone - II

I'm sure Dopethrone have no blood running through their veins, but filthy sticky mud, pumped through their bodies by blues filled hearts. They don't breath air but dark smoke and they blow it right into your face. Their bundled energy hits hard. Thick heavy punishing riffs, tons of distortion numbs your mind to ease the way for the demonically snarling vocals to spit their venom into your heart.

[Go to the post to view the Bandcamp player]

Oranssi Pazuzu - Valonielu

Cover art by Costin Chioreanu

Colorful psychedelic space rock and cold, dark, bleak, black metal - two mood settings that are millions of miles apart from one other, one should think, but Oranssi Pazuzu show us that they don't only get on well together, but that they can create completely new atmospheres. Different styles and elements laid upon each other in varying manners, intertwining and merging, thus creating depths, intensity, and motion.

[Go to the post to view the Bandcamp player]

Boneworm - Boneworm

The songs take about 666 years to expand and pour their viscous corrosive venom into your ears to unfold gloomy soundscapes in your heart. Ostensibly unobtrusive, but relentlessly intense and menacing they carry a sense of omniscience and inescapability where no hurry or outburst of rage is necessary. You are doomed, there is no way out of it.

[Go to the post to view the Bandcamp player]

Plague Mask - The Frailty of Human Existence

Art by Václav Trajer

"Blackenedstonerrocksludgedoom"! Short as this EP is, no second is wasted here. Plague Mask experiment and play with contrasts, tempo changes and musical styles to create cohesive but varying moods. It leaves a hint and a feel of this quite young band (formed 2011) being capable of refining their already individual style.

[Go to the post to view the Bandcamp player]

Palm Desert - Adayoff

This band spends one day in the studio and comes out with an album that sounds breathtakingly soulful. It proves that brilliant musicianship doesn't necessarily need overly intricate constructions and yet is able to create exciting music that contains a veriety of moods and facets. A kind of laid-back unobtrusive attitude and tons of heartfelt tunes is all Palm Desert need to create something special.

[Go to the post to view the Bandcamp player]

Tentacle - Ingot Eye
Fyrnask - Eldir Nótt
The Disease Concept - Your Destroyer
In The Company Of Serpents - Of the Flock
Uzala - Tales of Blood & Fire
Curse the Son - Psychache
Young Hunter - Embers at the Foot of Dark Mountain
Coltsblood - Beyond the Lake of Madness
Barbarian Fist - Demo 2013
Massive Thunderfuck - Kill the Thunder (Demo)


Now having logged-out correctly there shouldn't be any problems to log-in to 2014.
Thank you Max for letting me be a part of Metal Bandcamp!
A Happy New Year to you all!

Oranssi Pazuzu - Valonielu

By Ulla Roschat. Oranssi is the Finnish word for ‘orange’, Pazuzu is an Assyrian/Babylonian evil demon who personifies the chilling winds bringing fever and disease…., or the colorful psychedelic space rock and

By Ulla Roschat.

Cover art by Costin Chioreanu

Oranssi is the Finnish word for ‘orange’, Pazuzu is an Assyrian/Babylonian evil demon who personifies the chilling winds bringing fever and disease…., or the colorful psychedelic space rock and the cold, dark, bleak black metal which are the main and most dominant musical styles Oranssi Pazuzu use in their music to create an atmospheric soundscape that is pretty unique…, no not pretty..., it is unique!

Two mood settings that are millions of miles apart from one another, one should think, but once again and more convincing than ever the five Finns show us that they not only get on well together, but that they can create completely new atmospheres and pictures. Already their first two albums Muukalainen Puhuu (2009) and Kosmonument (2011) had been intriguing and well done attempts. Valonielu now appears like a huge step the band made in their development, but also sheds a different light upon both earlier releases.

Photo by Jo T.

Like two (or more) diafilm photographs, one in a broad range of colors, the other one in black, white and gray, laid on top of each other in varying extent and positions can show us different pictures and pieces of reality that would remain hidden, when we looked at each photo separately, Valonielu seems to work with different styles and elements. Laid upon each other in varying manners, intertwining and merging, every space that’s left free by one is conquered and filled by another, thus creating depth, density, dimensions and motion.

Driving repetitive krautrock rhythms with floating, wafting melodies get pierced by harsh, bleak black metal vocals, industrial, dark wave, doom sounds and noise rock… all melt into a spacey, eerie atmosphere that feels strange and disturbing, but is amazingly organic and natural at the same time.

Once the opener “Vino Verso” has entranced and sucked you in (and this will inevitably happen), it spits you out again into a foreign universe to begin an exciting trip.