Showing posts with label Kaptain Carbon. Show all posts
Showing posts with label Kaptain Carbon. Show all posts

August 22, 2017

Shadow Woods Metal Fest 2017. A preview, from A to Z

By Kaptain Carbon. This will be my third Shadow Woods attendance and perhaps my third preview article for the event. I have always loved this event not just for its diversity but also the support for local and regional talent.
By Kaptain Carbon.

Artwork by Brian Sheehan.

This will be my third Shadow Woods attendance and perhaps my third preview article for the event. I have always loved this event not just for its diversity but also the support for local and regional talent. Going to a festival where the headliners are still slightly obscure, with a supporting bill of bands that may or may not have a Facebook page, is a fantastic way of discovering new music. For a few, the concept of spending the price of a ticket for three days of unknown music seems absurd. For others, it is uncharted entertainment for a weekend that is both relaxing, exciting, mystic, and wild. I look forward to seeing various acquaintances descend on a small children's camp for a weekend of music, art, and maybe irreverent shrieking after hours.

Below is a preview of nearly every band playing. As stated before, one of my favorite things about Shadow Woods is discovering local and regional talent and thus I wanted to listen to everything. Since there are over 35 bands playing throughout the weekend, a short and hopefully funny description follows to guide anyone willing to read over 35 descriptions. If any of the bands or fans have a problem with their description I'll buy you a coffee or beer or run a D&D session at my campsite. We can settle our differences in a world of fantasy under the glow of a campfire ... and by campfire I mean a headlamp strapped to a jug of water.

A


Aerial Ruin - Portland, OR.

From a very long history of heavy electronic music, Ariel Ruin is an acoustic act that has very little to do with heavy metal other than the haunting and melancholic lyrics that hang in the air like ghosts. I saw this artist open for Agalloch years back and actually did an interview with him for his 2011 debut Valleys of the Earth. It is odd and exciting to finally see him, perhaps illuminated by torch light, in the middle of the woods.


All Hell - Asheville, NC.

Oh shit, what is this? Horror punk/metal that marches to the beat of Motorhead in a room full of writhing corpses? All Hell is from the cool part of North Carolina as the rest of the state might not appreciate drinking moonshine while the dead approach to music. Maybe they would. Who am I to judge? Perfect way to experience this music is by moonlight during a blood ritual, which is what you will be doing anyway.

Review of All Hell - Grave Alchemist.

B


Bearstorm - Richmond, VA.

Bearstorm has a lot of things going on, and that is not even approaching discussions of their name. Somewhere between progressive metal, death, thrash, cheeky humor and artsy design lies a band that is figuring itself out much in the same way a human struck with lycanthropy does before a full moon.

Review of Bearstorm - Biophobia.

Black Table - NY/NJ.

This will be Black Table’s second appearance at Shadow Woods as its inaugural event was pretty much kicked off with a preface by this New York black metal band. I say black metal since it is easier than trying to hammer down the right mixture of post metal, sludge, doom, post black, and shadows of hardcore that embody this deeply complex and disturbed band.

Review of Black Table - Obelisk.

C


Castle - San Francisco, CA.

Castle offers something very special for people who are not only into doom but probably have a collection of incense and maybe tapestries with some printed occult symbols. Mysterious and hazy, Castle is the work of three musicians who attempt to conjure 1979 by means of alchemy and necromancy.

Review of Castle - Welcome to the Graveyard.

Churchburn - Pawtucket, RI.

I really hope Churchburn is during the day, since I want to see the nice September sun blot out in misery. Caught between doom, black, and death, Churchburn is teeming with negative energy that has the ability to eclipse any gathering with a body of fucking pent up emotions. I'm expecting it to bum everyone out except for maybe me in the back.


Cut the Architect's Hand - Richmond, VA.

To be honest, the progressive post metal tag threw me for a loop but after being soothed by some grimy production that smells like broken beer bottles, Cut The Architect's Hand sounds less like a deeply introspective studio project and more like a bonfire on a tenement roof.


D


Dark Water Transit - Baltimore, MD.

It's funny that a festival bringing some of the weirdest acts would have an outlier of angled instrumental rock. From the altar of bands like Polvo and Slint comes a project that is less heavy than it is twisting through catacombs of thoughts and reflections. I only hope this is early in the morning and is used as a bleary eyed wake up for everyone.


Dead in the Manger - coast to coast.

Dead in the Manager takes a lot of pride in their anonymity and the fact they are on 20 Buck Spin, which gives me the impression they have at least someone of importance in their band. Maybe this is not the case and they are just a group of well tuned black/grind musicians with a pretty gnarly name. While their name could imply cheesy brutal death, the reality of this band is much more crushing.


E


Earthling - Richmond, VA.

For some reason, I thought Earthling was stoner doom obsessed with planets and aliens. What Earthling is really about is more complex as their combination of groovy death / thrash with a crusty exterior is less easy to define. I am sure there will be space here but I expect even more in the 2000 AD style of lasers that cut through flesh and bone.


Elagabalus - Baltimore, MD.

Wow...what the fuck is this? If you were looking for a reason to get weird and your only course for reaching that is a bass / drum combo with heavy synth then Elagabalus is for you. With equal parts sci fi horror and weird fiction, this group is sure to be the strangest thing going on at the time.


Erlkonig - Baltimore, MD.

Had I not known about this project through word of mouth, I would be confused. The near no-fi production of Erkonig's demo is bizarre and their Bandcamp is even more confusing, but with connections among the Baltimore metal scene and the existence of unfiltered aggression, this group of psychedelic warriors is sure to light up the canopies of the woods.


F


Foehammer - Annandale, VA.

Foehammer has been a household name for anyone familiar with Baltimore’s Grimoire records. Though Grimoire is varied with their catalog, the sound of sludge doom, which sounds like rotting flesh and old pot smoke, seems to be at home at the label. This sort of bizarre mixture is just what one comes to expect and gladly accept.

Review of Foehammer - Foehammer.

G


Green Elder - Johnson City, TN.

Neofolk / DIY Appalachian ambient is not a far travel from heavy metal. Even if this wasn't a woodsy outdoors festival, Green Elder wouldn't be out of place at a metal festival. The fact that they will most likely be playing an acoustic set in the woods makes the prospect of this raw folk ever more exciting. Caught between relaxation and nostalgic mysticism, Green Elder is certainly going to be interesting.


H


Heavy Temple - Philadelphia, PA.

Heavy Temple has been a name floating around the tri state area, and with their 2016 EP on Tridroid Records, it seems like these dead eyed blues rockers are gearing up for a full length release. If anything suits a doom filled breakfast over a campfire, it is the sound of Heavy Temple.


Hexis - Copenhagen, Denmark.

Hexis is one of the international guests at Shadow Woods and much in the same fashion as previous installments, the choice for high profile guests are still unexpected surprises. Hexis made an underground splash in 2014 with their album Abalam and since then, they have taken their twisted and tortured style of black/post metal in even more distant directions. I, for one, am preparing to be amazed and perhaps made to feel strange feelings.

Review of Hexis - Abalam.

Human Bodies - Boston, MA.

Oh fuck yes. If there is anything you can count on it is me being excited by the still frontier realm of black / punk. From speed black to crust to hardcore with shrieking vocals, the grimy underbelly of the two genres collide in interesting ways. Human Bodies is an great example, as no matter what time of day they play, it is always going to be a party like a mortuary fire.


I


Infera Bruo - Boston, MA.

Infera Bruo is slightly confusing since their name and album cover don't really convey the complex relationship this band has with heavy music. Black, progressive, hardcore, post black, jangly electronic, and probably a handful of other genres all mix to create something undefinable but undeniably interesting.

Review of Infera Bruo - Desolate Unknown.

Atmosphere from last years Shadow Woods. Photos by Kaptain Carbon.

K


Kyoty - Dover, NH.

I think more than anything I want to be Kyoty’s graphic designer, as this band has fully embraced the beauty of minimal art. In place of rotting skeletons or necrotic beats, cool abstract covers grace albums that are full of sleek sludge doom. This is not doom that fishbowls a crypt rather is the introspective longing one has on a misty cliff in the middle of nowhere.


M


Mome - Portland, ME.

Alright, it is time to get weird. It is not like Shadow Woods hasn't been home to some off kilter bands in years past but Mome may be up there as the weirdest. Now, before you guess ritual ambient or noise since all of that is old news for people, the sound of krautrock inspired bedroom doom synth will truly get you in that special headspace for the weekend.


N


Nechochwen - Wheeling, WV.

My only disappointment is that I am not going to see a full electric set from Nechochwen, which is sad since their 2015 record Heart of Akamon was the toast of the underground ball. Nechochwen caught everyone by surprise with their mix of classical guitar, native american themes, and chilling black metal. My only solace in the proposed unplugged set will perhaps be a once in a lifetime event given the venue and atmosphere.


Night Raids - Philadelphia, PA.

Oh yeah, this feels like a gut punch. How much noise and disaster can two people from Philadelphia really create? The answer lies at Shadow Woods during Night Raid’s set, which I am sure is either going to end in headaches, fire, or both.


O


Obsidian Tongue - Medford, MA.

Obsidian Tongue is somewhat related to US atmospheric black metal band Falls of Rauros as well as the Canadian folk / black project Thrawsunblat. Though Obsidian Tongue is not entirely like a mixture between the two, it is in the same ballpark and will be sure to catch the interest of people who enjoy the idea of animal skeletons in the woods.


P


Panopticon - KY/MN.

Panopticon is perhaps the headliner for Shadow Woods. Along with Vastum, Panopticon is the name that draws the most amount of acknowledgment from people, as this project is one they most likely have heard about. The chance to see this project live is a big deal as the competency with atmospheric black metal, American folk, and hateful transcendence is surely something that will be the highlight of the weekend.

Review of Panopticon - Autumn Eternal.

Percussor - PA/DE.

Percussor worships at the altar of death metal. Obvious connections can be made to bands like Morbid Angel, Deicide, and Bolt Thrower as this band swings for the fences in terms of grindy death metal. I have always loved the death metal sets to offset the black and doom ones and I am picturing this set being a perfect afternoon performance.


S


Seasick Gladiator - Washington, DC.

Seasick Gladiator has a strange name to match their odd music. If hammering down the sound, it would be instrumental progressive metal with a prominent violin. Add to this the celebratory art pieces for each of their songs and one has a bizarre and immersive hallucination.


Sloth Herder - PA/VA/MD.

Sloth Herder has been a mainstay around the local area and having them at Shadow Woods is going to be exciting. Though their name sounds like slow stoner doom, Sloth Herder’s delicate mixture of black metal, grindcore, and noodling chaos makes it the perfect mess to get really into during the weekend. Expect nothing less than a liquor store robbery by masked men while wielding torches.


T


Take to the Woods - Baltimore, MD.

Take to the Woods is an acoustic neofolk project from Baltimore. This is most certainly going to slot into the more quiet projects of Shadow Woods. With both an occult and dark undertone, combined with some great bedroom recordings from the artist, this will be an act that will speak to a select group looking to commune with the spirit of old.


The Owls Are Not What They Seem - York, PA.

The Owls Are Not What They Seem has been a Shadow Woods institution since its beginning. It is most certainly going to be late at night as the sound of ritual ambient and dark tribal is perfect for those times between the cusp of sleep and the middle of consumption. Be prepared for some of the strangest soundscapes similar to the machinations of the mad.


Toke - Cape Fear, NC.

I'm going to give you one guess as what type of music Toke plays. If the dayglow pot leaf on the cover of their record was not enough indication then the sound of blistering stoner doom should be a big tip off. What was surprising about this North Carolina band was how spite fueled their music really was. Similar to the disdain exhibited by bands like Eyehategod, Toke is here to smoke your weed and call you names.

Review of Toke - (Orange).

V


Vastum - San Francisco, CA.

Out of every band, I believe I am most excited about this one. This is not because I adore cavernous death metal that seems like it was raised by wolves, rather that Vastum's music has a certain viciousness that is not held by convention or trends and is something that seems innocent until it leaves deep gashes.

Review of Vastum - Hole Below.

Voarm - Richmond, VA.

I am happy to see more Richmond based bands as I want to expand my circle of metal from Baltimore to Richmond. Voarm plays a delightfully rotten variety of melodic black metal, which combined with its doom undertones is certain to amplify those negative emotions that have been clouding your thoughts.


W


Withered - Atlanta, GA.

I feel strange writing that I haven't checked out Withered, as this Atlanta based black/death band seems right up my alley. Instead of laying out the black/death aggression on one level, this band seems to channel that sound into deep production, which is well produced without any loss of brutality. Both chaotic and disturbed, this band is as surprising as they are effective.


Woe - Brooklyn, NY.

Woe continues to carve out NYC black metal, as their distinct brand of aggressive and grinding black metal feels like the cold touch of concrete and dirt. The band also has a brand new record for 2017, which will probably be on sale for the weekend by light of a campfire.

Review of Woe - Hope Attrition.

Worthless - NY/NJ.

Worthless is from New Jersey and maybe also New York and somewhere in that grey area lies some impressively depressive black metal that has all of the right tones of stinging rain.


Z


Zud - Portland, ME.

Zud, by now, can be considered an alumni to Shadow Woods as they are returning for their second, or maybe third, appearance. Zud has historically played last which is strange given their biker bar style black n roll would be perfect for anytime of the day.


Kaptain Carbon moderates Reddit's r/metal as well as writes reviews for lesser known black, death, and doom metal for Tape Wyrm as well as Dungeon Synth, Tabletop, and Movie Reviews for Hollywood Metal.

[Besides the 36 bands listed here Fiakra (heavy metal from Freehold, NJ) and Dee Calhoun (acoustic set from Iron Man vocalist) are also performing.]

July 5, 2017

Triumvir Foul - Spiritual Bloodshed

By Kaptain Carbon. It has been a wild ride for Triumvir Foul since the project's debut in 2015. In these two years, not only has recognition washed over this act but its label / hivemind, Vrasubatlat, has also received considerable praise. I wrote glowing reviews regarding projects from Vrasubatlat
By Kaptain Carbon.

Artwork by Timo Ketola.

It has been a wild ride for Triumvir Foul since the project's debut in 2015. In these two years, not only has recognition washed over this act but its label / hivemind, Vrasubatlat, has also received considerable praise. I wrote glowing reviews regarding projects from Vrasubatlat and even did a feature on the labels output. With 2016 already seeing a heavy amount of great releases from Dagger Lust, Uškumgallu, Serum Dreg, and Utzalu, the label waited a few months into 2017 to release something very special, the second offering of Triumvir Foul. If things were not bleak enough for the world, then prepare for a rain of filth.

Triumvir Foul, out of the Vrasubatlat roster, is the most traditional death out of the bunch, but concerns itself with chaos and general mayhem rather than death metal’s traditional themes of death and demise. While there are certainly old school riffs that run through this record, Spiritual Bloodshed is much more interested in rot and ruin, on a worldwide scale than it is in mimicking any legacy band. Starting with the aptly named opener, “Asphyxiation,” this is a band that does not waste much time getting to their point. Death, destruction, and endless suffocation are the core values that are a part of Spiritual Bloodshed and, while this record is not as oppressive as bands like Revenge or Teitanblood, Triumvir Foul has found a medium in which complete and utter destruction can be entertaining and dynamic for its running time.

Comparing the project's two records side-by-side shows a similarity in not only the sound but also the outlook. Aside from the aforementioned penchant for destruction and grim atmosphere, Triumvir Foul poises itself as the aggressor in some mythical battle, either for or against whatever forces of darkness are set to consume the world. With not that much separating the two records, aside from small changes in production, the band proposes a second chapter in a gross looking book. From the doom ridden breakdown of “Serpentine Seed,” to the riotous opening of “Disemboweled Pneuma," to the punk influenced grooves in the colorfully named “Vomitous Worship in Rotting Tombs,” Triumvir Foul captures the essence of the grime that lays caked on the headstones of an endless underground cemetery. Yes, you heard me right.

Triumvir Foul, and that associated bands of Vrasubatlat, have always been one of my favorite answers when people ask about the state of current heavy metal. While this sounds like gushing praise, the fact that Triumvir Foul and its label are experiencing popularity for basically independent releases is truly the current state of heavy metal. When fans can connect with labels directly, and be impressed for months and years with the output, it is that sort of relationship driving the current aspect of lesser known parts of the genre.

Perhaps one of my favorite aspects of Triumvir Foul, and the rest of Vrasubatlat in general, is both the forward thinking nature of the bands and the ability to take worn tropes of the genre and make them frightening. Lyrical themes of death, destruction, and occult lore are heard in a dozen bands from this year, and perhaps every year stretching back decades. The ability of Triumvir Foul to mix what is expected and what feels unexpected is fantastic. Add to that the growing hype around this label, and a stream of releases that seem to add to a library of rot, and Spiritual Bloodshed is a victory lap around the nine circles of Hell.


Kaptain Carbon moderates Reddit's r/metal as well as writes reviews for lesser known black, death, and doom metal for Tape Wyrm as well as Dungeon Synth, Tabletop, and Movie Reviews for Hollywood Metal.

February 15, 2017

Sinmara / Misþyrming - Ivory Stone / Hof

By Kaptain Carbon. I wonder if we'll ever look back through history and mark the mid 2010’s with an Icelandic black metal explosion. I wonder if there are even enough bands or albums to constitute said explosion, or if anyone will remember how it felt
By Kaptain Carbon.

I wonder if we'll ever look back through history and mark the mid 2010’s with an Icelandic black metal explosion. I wonder if there are even enough bands or albums to constitute said explosion, or if anyone will remember how it felt when there were so many bands coming out of one small island country known for mythical creatures. The year 2015 seems so very long ago, which was the release year of Misþyrming’s Söngvar elds og óreiðu, and Sinmara’s 2014 release Aphotic Womb seems even further away.

The history of Iceland’s black metal scene can be traced further back, but right around 2014/2015 is when things started to get crazy with blog attention and magazine articles. At this moment, Zhrine, Wormlust, Svartidauði, Naðra, Mannveira, and a handful of other bands all share one blistering hotbed of hate and dejection and in a couple of years, perhaps we can discuss these bands without seeing them as some cultural anomaly. Until then it is almost impossible to discuss one without at least mentioning the others.

Artwork by Joseph Deegan.

Ivory Stone / Hof is a stopgap, break, or harbinger for two bands who have been over a year without a record. Misþyrming’s debut was released 2 years ago this month with Sinmara’s debut even earlier. It is getting to the point when we will be expecting new material from both artists and the very short Ivory Stone / Hof split seems to be doing just that, as it presents two tracks that not only reignite interest in both bands but perhaps give horrid visions for the future. Splits are a fantastic, low stakes chance for a band to renew their interest in the world or chill the air with dark portents.

Perhaps the more surprising of the two is the absolute barbaric track from Sinmara. As if recorded inside a dust tornado, the rhythm and instrumentation for "Ivory Stone" is far more than expected since their debut. This track of surprise continues well into the song with changes in instrumentation and ascending guitar lines that feel like spiral staircases into maddening towers. While Sinmara was one of the first bands out of Iceland's black metal metal scene that I discovered, but soon forgot, "Ivory Stone" reunites me and perhaps others with that same calculated aggression that fueled their debut.

Misþyrming is perhaps the most well known or recognizable names from the whole of Icelandic black metal scene for nothing else than people do not know how to spell their name without copy/paste. If you had forgotten how aggressive Söngvar elds og óreiðu was, allow your memory to be jogged with the raw punch of "Hof". Perhaps even more than their previous works, this band steps on the throat of listeners leading to something that is tyrannical and obliterating in its very nature. "Hof" adds to its off putting position with cryptic spoken word segments which break the assault of the music that does not come gentle. If anyone has forgotten what this band introduced themselves as, allow this to be a gentle reminder in the form of a closed fist.

Splits are a fantastic way of sampling music but also projecting directions for bands. If I were to give a summation of the Ivory Stone / Hof split, it would be business as usual in Iceland with the potential for some catastrophic disasters in the future. The pairing of these two seems like a match made in anywhere but heaven.


Kaptain Carbon moderates Reddit's r/metal as well as writes reviews for lesser known black, death, and doom metal for Tape Wyrm as well as Dungeon Synth, Tabletop, and Movie Reviews for Hollywood Metal.

September 5, 2016

Dark Depths: Shadow Woods Saturday Preview

Kaptain Carbon continues his unsolicited preview of Shadow Woods by listening to every band on each day and writing about it with increasing weirdness. A Sound of Thunder has been a staple around the DC heavy metal scene if you have ever been interested in the sound of power or progressive at a local level.
By Kaptain Carbon.

Kaptain Carbon continues his unsolicited preview of Shadow Woods by listening to every band on each day and writing about it with increasing weirdness.


ThursdayFridaySaturday

Another Grimoire Records band and of course another showcase of weirdo genres that flicker in recording. Corpse Light is more doom in their constitution but that does not stop them from flirting with other genres which eventually corrupt their moral compass. Without Form was released last year and even though i missed it on the end of the year lists, it has slowly become on of my recent favorite EPs.


Oh fuck yeah. Ripping thrash / death from Richmond. Holy shit, I do not think I can takes this on Saturday. My head is going to explode at this hour. This band is still unsigned and they seem to give zero fucks about stepping on your toes in their sound and maybe performances. I am 85% sure these are nice people and will not punch you in the throat.


Black folk metal in the tradition of some of the more woodsy acts which have come out in the recent decades. Similar to bands like Agalloch and Ifing, Windfaerer is concerned with a much more transcendental sound which soars overtop of mountaintops and twilight. While this all sounds calm and realizing, the ferocity of Windfaerer can not be underestimated otherwise one is going to be bleeding in the woods.


This is one of the last Grimoire Records band and it is one of my favorites. First encountered on the fantastic split with Myopic, West Virginia’s Torrid Husk makes black metal both engaging and personal with their own sound of emotional devastation. Similar to most of the Grimoire roster, the sound of Torrid Husk starts in something like black metal but eventually wanders out into the woods and does weird things. If I were to imagine what most of these bands look like, it would be a witching ward posted on some grim looking tree that scares the shit out of you and your friends.


Baltimore based black metal which still has the scraps and bruises of the city which it wears proudly on its jacket. Uncultured, dirty, and perhaps made of criminals, this is the sound of old school black metal which does not give a shit about your feelings. Recently featured on Noisey, this band urged you to feel bad about what you have done in life. There is a pride in awfulness that one feels with this type of music. Total devastation by way of anarchy.


Calling all fans of OSDM, I am going to try to run an old school dungeons and dragons adventure sometime before this show and afterwards we are going to go listen to Cemetery Filth because that is what we do. Cemetery Filth appeared on a four way split with Ectovoid, Trench Rot, and Sabbatory from Unspeakable Axe. That sentence alone should be enough to get you to the show and throw yourself around. Yeah I know there is lots of black metal but the guys at the death metal camp have better beer and water balloons.


Coming all the way from Florida is Grave Gnosis -- an atmospheric black metal band which seems super concerned with esoteric philosophy which is arranged in their music like a summoning circle. With enough droning atmosphere and occultic decorations, this will feel right at home nestled in a small little woodland perhaps accompanied by burning sage. I have already made so many jokes about conjuring spirits so by this point in the festival, they are all just going to fight with each other.


Shitkicking southern sludge which will smell like boot leather and perhaps an aroma of weed and whiskey that forms a heavy vapor in the air. This is Horseskull and it will feel like a splitting headache when the sun crests the dawn. You are not worried about that now, you are here to wrestle the desert demons which dance on the horizon.


To be honest, this was the band I was most looking forward to when the lineup was announced. I saw Coffin Dust at last year’s Blood of the Wolf fest and they were easily one of the best shows of the whole weekend. Wall to wall death metal which digs up old skeletons and throws them on its listener.


So this is something about which I am more confused and possibly intrigued than I am knowledgeable. From what I can gather, Faith in Jane is a Maryland based stoner doom / rock outfit who have had a past connection with Saint Vitus/ The Obsessed frontman Scott Wino. At this year’s Shadow Woods, Wino will be playing or jamming or blessing Faith in Jane's’ set with whatever mystical energy guided those haze filled records.


I am not knowledgeable of Boston or many New England bands besides being up north of where I see many of my shows. What I do know about Lord Almighty is they ride the progressive black metal tag without allowing their songs to succumb to gargantuan lengths. 2-4 minutes is often enough for this band to swoop down and perch on the shoulders of listeners. It is clear and crisp and smells like dying.


This is going to be more of a study than it is a show. Teloch Vovin is a theistic black metal band who seems to be following in the angular and heady tradition of other orthodox black metal bands. Further Down the Tunnel was released last year but the band’s catalog is filled with rehearsals, live albums and EPs filled with bizarre song titles. You can consider me interested and slightly terrified.


Holy shit. This band rules and their promo photography is so utterly ridiculous, I feel it adds to the charm. Taught in the ancient ways of black/thrash similar to Absu, Aura Noir, and Nifelheim, this band is thousands of furious devil's riding winged horse across the horizon bringing the end times in its wake. It is either that or the sound of fists reaching towards the sky.


Of course we end with outcast black metal with a ferocious spirit which can break tree trunks. Somewhere in Portland Maine lives Zud which is more like the hermit of black metal who comes out from time to time and hurls weird fungus at trespassers in its woods.


Shadow Woods Metal Fest.
21+ ONLY.
Thursday 15 September through Sunday 18 September 2016 at Camp Hidden Valley, 4722 Mellow Rd, White Hall MD 21161.
More details
Weekend pass (includes on-site tent camping) $130 in advance or $150 at gate. Limited cabin bunks available for an additional charge. Single-day tickets also available.
Buy tickets

Kaptain Carbon moderates Reddit's r/metal as well as writes reviews for lesser known black, death, and doom metal for Tape Wyrm as well as Dungeon Synth, Tabletop, and Movie Reviews for Hollywood Metal.

September 4, 2016

Dark Depths: Shadow Woods Friday Preview

Kaptain Carbon continues his unsolicited preview of Shadow Woods by listening to every band on each day and writing about it with increasing weirdness. A Sound of Thunder has been a staple around the DC heavy metal scene if you have ever been interested in the sound of power or progressive at a local level.
By Kaptain Carbon.

Kaptain Carbon continues his unsolicited preview of Shadow Woods by listening to every band on each day and writing about it with increasing weirdness.


ThursdayFridaySaturday

A Sound of Thunder has been a staple around the DC heavy metal scene if you have ever been interested in the sound of power or progressive at a local level. I know there are like a dozen of you. Fronted by a strong female lead, the band does its best to fit in with all of the black and death bands with music that is unabashedly geeky in nature. In fact the band's most recent work is entirely dedicated to the comic book character Shadowman. Perhaps they want to play Dungeons and Dragons with me during the off hours. I will have dice.


Genevieve has been a favorite of mine since the band’s 2015 debut Escapism. While still having themselves entrenched in respectable black/death, this Baltimore based band frays at the edges of experimental urges leaving music which sounds like it is doing its best to keep its shit together. Both intense and endlessly indulgent, Genevieve is a perfect destination for 12:30 on a Friday morning. I mean, if you are not awake, I will come by your campsite and kick your tent over.


At the Graves is another Baltimore area based band who seems to have set up residence on the outskirts of heavy metal. While loyalties to sludge and doom are apparent for this one man outfit, so is the more grey areas of shoegaze, grunge, and just droning noise. This is the perfect combination of emotionally wrenched music doused in gasoline. At the Graves is as self destructive and reflexive as it is entertaining to watch the demise.


Summarizing a band’s sound is sometime hard with various releases. If we were taking Destroyer of Light’s 2012 debut, their sound would be filled with sludge based aggression which whips like concrete blocks. If we are taking into account this Texas based doom band’s most recent split, then the wind seems to be blowing more towards stoned traditionalism. With loyalties laid down on a altar of bands like Reverend Bizarre and Electric Wizard, Destroyer of Light’s most recent split with Godhunter is fantastic trip into the luminescent and ultraviolet. Slow and heavy wins the race. .


This is Surgeon from Pennsylvania and they are tagged as progressive metal. I have rested on that style as the band exhibits many different inclinations throughout their career. If we are discussing Surgeon’s most recent work, then it is a blend of progressive, industrial and black metal where Chemical Reign leans more towards a heavy fusion. Similar to hard to pin acts like Devin Townsend, Surgeon is going to be camping with the oddballs but I am sure they will be a delight to a few over the weekend.


Myopic was one of the first bands from Grimoire Records that really took a hold of me a few years back. Perhaps this was a combination of elongated black metal which was stretched out on the forest floor like a field dressed animal. Both organic and transcendental as well as unclassifiable, if I were to pick a band that was going to capture the essence of an autumn metal festival in the woods this would be near the top near the field dressed animal.


I am 85% sure this is the band that is playing. Sometimes bands will have similar names or at least similar spellings that it gets confusing. I sure hope this is the band that is playing as Sapremia plays a brand of old school death metal that could only come from New Jersey. Tough as nails and emotionally dead, this band is perfect for the mid afternoon when the sun is at its height. Things will be alright with a stomach full of beer and a mouth full of glass.


Let us put Lotus Thief in the same cabin as Darsombra as those two would certainly get along with their cosmic outlook on creating music. Somewhere between electronic, space rock, and doom, lies the work of Lotus Thief. Hailing all the way from San Francisco this quintet has come to tell the tales of 1st century philosophy as their albums seems to be around with the subject. In fact, I would like to camp next to them all weekend. I am sure they have stories to tell and things to share.


Temple of the Void was one of the highlights for the midwestern metal fest Blood of the Wolf. Seeing their name on the lineup for this year’s Shadow Woods festival was a surprise and cause for joy. Even though doom is not my favorite style of metal, Temple of the Void’s stage presence and ominous disposition makes the whole thing a marvel for wonder. Come for doom, leave robbed of your spiritual essence and maybe a copy of their 2014 record Of Terror and the Supernatural.


Within the large net of related bands you can start to draw connections which make up a terrifying web. Sadgiqacea is related one member to Hivelords, who played last year at Shadow Woods, and Tombs who is the closing headliner for this year’s festival. Though all three bands are separated, they still share the same artistic focus which is gazing into the aether. Whether by sludge, doom, or black metal, these bands seem to be traveling towards the same nexus of darkness. Sadgiqacea is perhaps the more mystical of the bunch with meditative drone and a sparser atmosphere of two members, the sound is enough to shake one's mortal coil.


When one looks at Helgamite, they expect stoner doom. What one gets is something not too far off the mark but it is filled with closed fists and bloody noses. Psychedelic sludge would be a better description with themes bordering on ethereal daydreams, this band explores the horror of transcendence where the very concept is the one to drive its practitioners mad. Armed with a sax and something that sounds like a beast from beyond time, this is a band which is going to make me fear going to my campsite alone.


Acid Witch is the answer of what would happen is doom and death took mushrooms together and watched Evil Dead in a basement. Irreverent and endlessly entertaining, this is one of the saturday headliner which is going to light up the trees with scary hallucinations of fear and flashbacks. They are a horror show which is ready to ruin your trip with scary thoughts and scenarios. I just realized that I made a lot of hallucinogen jokes so I do not want people coming to my campsite asking me strange questions. Are you a police officer or a flesh eating monster?


Tengger Cavalry is not the first band I think about when I think metal festival in the woods. This Mongolian folk band is not what I think of when I ponder a lot of things. If we were talking of a remote metal festival somewhere out on the ancient steppe only accessible via horseback, then I could see it. I am not one to complain as this is one of the larger bands pulled into this small festival which I am sure will be dazzling on a small woodland stage. If one thing can be said about this whole experience, it is going to be interesting. I know I said that before but now we have Mongolian folk metal from NYC.


Tombs was one of my favorite bands back in 2011 when they released Path of Totality. It was dark and ruminating and pulled in various levels of tension and submerged it underwater. Since then, this band has continued to impress and amaze with their combination of blackened post metal which feels like drowning in some tepid swamp.


One of the newer stock from Grimoire is a fierce display of traditional black metal that is going to fit in perfectly with the rest of the bands. Staunchly orthodox in its second wave disposition, this is black metal which has no frill nor patience for weakness. Athame is also the first wave of bands which is going to take the late night Saturday on a trip into Hades. Think of this band as your Charon.


Symphonic black metal which exposes the virtues of sexual mysticism, the esoteric and the Qabalah? I am fucking in to whatever this band is selling. Perhaps it is the novelty of this Colerado based band which is enticing but if anyone wants to hear a sound which leans heavily on Emperor perhaps played by a campfire encircled by other weirdoes, then it will perhaps be a marvel to behold. Helleborus acts as the late night entertainment for a festival which is filled with adults anyway but their music sounds like a hellish orgy of sin and pleasure.


One can not go to sleep at Shadow Woods without being lulled to bed by the sound of raw lo fi black metal which is stepped in chamomile and dark noise. T.O.M.B has little information on the outfit other than being from Pennsylvania and operating since the 90’s. Cut from the stock of raw underground black metal, I have little idea what is going to transpire other than it being madness.


Shadow Woods Metal Fest.
21+ ONLY.
Thursday 15 September through Sunday 18 September 2016 at Camp Hidden Valley, 4722 Mellow Rd, White Hall MD 21161.
More details
Weekend pass (includes on-site tent camping) $130 in advance or $150 at gate. Limited cabin bunks available for an additional charge. Single-day tickets also available.
Buy tickets

Kaptain Carbon moderates Reddit's r/metal as well as writes reviews for lesser known black, death, and doom metal for Tape Wyrm as well as Dungeon Synth, Tabletop, and Movie Reviews for Hollywood Metal.

September 3, 2016

Dark Depths: Shadow Woods Thursday Preview

By Kaptain Carbon. Shadow Woods is an outdoor metal festival held in the upper reaches of Northern Baltimore. Shadow Woods stands are one of the few “open air” metal festivals left in the US and perhaps one of the even fewer overnight camping events.
By Kaptain Carbon.

Shadow Woods is an outdoor metal festival held in the upper reaches of central Maryland. Shadow Woods stands are one of the few “open air” metal festivals left in the US and perhaps one of the even fewer overnight camping events. While the US has a while to catch up the Europe in terms of camping festivals which do not involve drum circles, sandals, and the guy in the Free Hugs t-shirt. Shadow Woods is interesting because despite having a large amount of black metal, is still a diverse array of music. From death to doom to psych and folk metal, this is a three day event which will allow one to get in touch with nature and find the underworld beneath the soil.


After traveling a few dozen miles outside of Baltimore, the concrete and grime of the city drops off for scenic nothingness filled with sprawling fields and supposedly a pleasant sunflower patch. Here at Camp Hidden Valley, a few hundred metal fans converge for three days of music insulated by trees, hiking trails, and deep magic. I wrote and took pictures of the inaugural event and the announcement for the second Shadow Woods was more than welcome. One of the things I enjoy more than going to the woods, listening to extreme metal, and eating pop tarts for the weekend, is going through an entire festival roster and previewing every single band. This is a favored activity since it allows me to plan around specific acts but also introduce myself to pretty much most of the roster. Shadow Woods specializes in local and regional talent that have yet to make an impression on the larger metal community and for that reason is a treasure trove of new and exciting acts. Perhaps this article is the first step to finding my new favorite band and/or a dark omen to a stomach ache after eating too many pop tarts.

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Let us start this festival off right with a 6 pm performance from North Carolina’s Heron. Welcome. Hopefully you got your tent set up because it is time to wither and die. Cold and distant black metal in the style of the old depressive type which will perhaps sound amazing as a welcoming committee for a woodland festival. Listen to the echoes of sadness as they bounce off the treetops. I know some people do not think black metal in the day time works but the waning sunlight during dusk is going to be an immense backdrop for this band.


Since Shadow Woods is outside of Baltimore, one gets to see the variety of extreme metal from the area. Despite my travels to the surrounding area, Xeukatre is unknown to me yet their brand of raw and unhinged black metal is going to be a fantastic experience right around dinner time. Taking their cues from the Les Légions Noires book of black metal this band emphasizes lo-fi darkness which feels pressed under the weight of the world. Also the band’s only release takes its name from the Latin for "I shall either find a way or make one,” which was attributed to Hannibal when crossing the Alps. I do not know why this fits but I feel it is perfect.


Here was a blurb about Numenorean from Canada playing the fest, but this just came through the wire: "Unfortunately Numenorean were not able to get visa into the US from Canada. Frosthelm will replace them. Mantar will move to the outdoor Field stage at 7 p.m. and Frosthelm will play inside at 10:10. All other set times remain the same for Thursday."


If one thing is going to be said and written about Shadow Woods is its diversity. In the fray of extreme metal, Darsombra stands still eating peyote and looking like they are about to burst out laughing. With feet firmly planted in the realm of cosmic space rock, these groups of Krautrock weirdos are set to bring the sounds of echoing psych and space drone to the ears of people who may not be ready for it. I will of course be ready for it because this sound is awesome.


Ghost Bath has had a strange journey from depressive black metal obscurities with strange location details one day to underground superstars the next. The release and promotion of Moonlover took this band to a level that was perhaps surprising even for them. With similarities drawn between polarizing acts such as Deafheaven, Silencer and Austere, Ghost Bath is an emotional ride which leaves little behind closed doors and wears all emotions on its sleeves.



I enjoy doing these types of articles, because I can at least catch up on a bunch of different bands that went unnoticed. Enter Mantar and their combination of doom, black, and artsy sludge which has been hard mixed into something that is raw and slimy as hell. Traveling all the way from Germany and appearing after a particularly long US tour, this band is deserving of attention and possibly a beer or two. This is of course after a performance of nihilism being wielded like a baseball bat.


The tags for this Rhode Island band include black metal, occult and rituals. If I were to take the same tags and apply it to what I think of Shadow Woods, there would be a large overlap. Haunting and mysterious, this group is set to close the night with a performance which I am sure will at least open a few dimensional portals. Add to this Haxen led me to discover a wonderful Rhode Island based label called Eternal Death which seems to specialize in all forms of moral depravity and cassettes. Thursday night should be wonderful and I hope Haxen allows me to live through the coming weekend.


Shadow Woods Metal Fest.
21+ ONLY.
Thursday 15 September through Sunday 18 September 2016 at Camp Hidden Valley, 4722 Mellow Rd, White Hall MD 21161.
More details
Weekend pass (includes on-site tent camping) $130 in advance or $150 at gate. Limited cabin bunks available for an additional charge. Single-day tickets also available.
Buy tickets

Kaptain Carbon moderates Reddit's r/metal as well as writes reviews for lesser known black, death, and doom metal for Tape Wyrm as well as Dungeon Synth, Tabletop, and Movie Reviews for Hollywood Metal.