Showing posts with label Panopticon. Show all posts
Showing posts with label Panopticon. Show all posts

August 22, 2017

Shadow Woods Metal Fest 2017. A preview, from A to Z

By Kaptain Carbon. This will be my third Shadow Woods attendance and perhaps my third preview article for the event. I have always loved this event not just for its diversity but also the support for local and regional talent.
By Kaptain Carbon.

Artwork by Brian Sheehan.

This will be my third Shadow Woods attendance and perhaps my third preview article for the event. I have always loved this event not just for its diversity but also the support for local and regional talent. Going to a festival where the headliners are still slightly obscure, with a supporting bill of bands that may or may not have a Facebook page, is a fantastic way of discovering new music. For a few, the concept of spending the price of a ticket for three days of unknown music seems absurd. For others, it is uncharted entertainment for a weekend that is both relaxing, exciting, mystic, and wild. I look forward to seeing various acquaintances descend on a small children's camp for a weekend of music, art, and maybe irreverent shrieking after hours.

Below is a preview of nearly every band playing. As stated before, one of my favorite things about Shadow Woods is discovering local and regional talent and thus I wanted to listen to everything. Since there are over 35 bands playing throughout the weekend, a short and hopefully funny description follows to guide anyone willing to read over 35 descriptions. If any of the bands or fans have a problem with their description I'll buy you a coffee or beer or run a D&D session at my campsite. We can settle our differences in a world of fantasy under the glow of a campfire ... and by campfire I mean a headlamp strapped to a jug of water.

A


Aerial Ruin - Portland, OR.

From a very long history of heavy electronic music, Ariel Ruin is an acoustic act that has very little to do with heavy metal other than the haunting and melancholic lyrics that hang in the air like ghosts. I saw this artist open for Agalloch years back and actually did an interview with him for his 2011 debut Valleys of the Earth. It is odd and exciting to finally see him, perhaps illuminated by torch light, in the middle of the woods.


All Hell - Asheville, NC.

Oh shit, what is this? Horror punk/metal that marches to the beat of Motorhead in a room full of writhing corpses? All Hell is from the cool part of North Carolina as the rest of the state might not appreciate drinking moonshine while the dead approach to music. Maybe they would. Who am I to judge? Perfect way to experience this music is by moonlight during a blood ritual, which is what you will be doing anyway.

Review of All Hell - Grave Alchemist.

B


Bearstorm - Richmond, VA.

Bearstorm has a lot of things going on, and that is not even approaching discussions of their name. Somewhere between progressive metal, death, thrash, cheeky humor and artsy design lies a band that is figuring itself out much in the same way a human struck with lycanthropy does before a full moon.

Review of Bearstorm - Biophobia.

Black Table - NY/NJ.

This will be Black Table’s second appearance at Shadow Woods as its inaugural event was pretty much kicked off with a preface by this New York black metal band. I say black metal since it is easier than trying to hammer down the right mixture of post metal, sludge, doom, post black, and shadows of hardcore that embody this deeply complex and disturbed band.

Review of Black Table - Obelisk.

C


Castle - San Francisco, CA.

Castle offers something very special for people who are not only into doom but probably have a collection of incense and maybe tapestries with some printed occult symbols. Mysterious and hazy, Castle is the work of three musicians who attempt to conjure 1979 by means of alchemy and necromancy.

Review of Castle - Welcome to the Graveyard.

Churchburn - Pawtucket, RI.

I really hope Churchburn is during the day, since I want to see the nice September sun blot out in misery. Caught between doom, black, and death, Churchburn is teeming with negative energy that has the ability to eclipse any gathering with a body of fucking pent up emotions. I'm expecting it to bum everyone out except for maybe me in the back.


Cut the Architect's Hand - Richmond, VA.

To be honest, the progressive post metal tag threw me for a loop but after being soothed by some grimy production that smells like broken beer bottles, Cut The Architect's Hand sounds less like a deeply introspective studio project and more like a bonfire on a tenement roof.


D


Dark Water Transit - Baltimore, MD.

It's funny that a festival bringing some of the weirdest acts would have an outlier of angled instrumental rock. From the altar of bands like Polvo and Slint comes a project that is less heavy than it is twisting through catacombs of thoughts and reflections. I only hope this is early in the morning and is used as a bleary eyed wake up for everyone.


Dead in the Manger - coast to coast.

Dead in the Manager takes a lot of pride in their anonymity and the fact they are on 20 Buck Spin, which gives me the impression they have at least someone of importance in their band. Maybe this is not the case and they are just a group of well tuned black/grind musicians with a pretty gnarly name. While their name could imply cheesy brutal death, the reality of this band is much more crushing.


E


Earthling - Richmond, VA.

For some reason, I thought Earthling was stoner doom obsessed with planets and aliens. What Earthling is really about is more complex as their combination of groovy death / thrash with a crusty exterior is less easy to define. I am sure there will be space here but I expect even more in the 2000 AD style of lasers that cut through flesh and bone.


Elagabalus - Baltimore, MD.

Wow...what the fuck is this? If you were looking for a reason to get weird and your only course for reaching that is a bass / drum combo with heavy synth then Elagabalus is for you. With equal parts sci fi horror and weird fiction, this group is sure to be the strangest thing going on at the time.


Erlkonig - Baltimore, MD.

Had I not known about this project through word of mouth, I would be confused. The near no-fi production of Erkonig's demo is bizarre and their Bandcamp is even more confusing, but with connections among the Baltimore metal scene and the existence of unfiltered aggression, this group of psychedelic warriors is sure to light up the canopies of the woods.


F


Foehammer - Annandale, VA.

Foehammer has been a household name for anyone familiar with Baltimore’s Grimoire records. Though Grimoire is varied with their catalog, the sound of sludge doom, which sounds like rotting flesh and old pot smoke, seems to be at home at the label. This sort of bizarre mixture is just what one comes to expect and gladly accept.

Review of Foehammer - Foehammer.

G


Green Elder - Johnson City, TN.

Neofolk / DIY Appalachian ambient is not a far travel from heavy metal. Even if this wasn't a woodsy outdoors festival, Green Elder wouldn't be out of place at a metal festival. The fact that they will most likely be playing an acoustic set in the woods makes the prospect of this raw folk ever more exciting. Caught between relaxation and nostalgic mysticism, Green Elder is certainly going to be interesting.


H


Heavy Temple - Philadelphia, PA.

Heavy Temple has been a name floating around the tri state area, and with their 2016 EP on Tridroid Records, it seems like these dead eyed blues rockers are gearing up for a full length release. If anything suits a doom filled breakfast over a campfire, it is the sound of Heavy Temple.


Hexis - Copenhagen, Denmark.

Hexis is one of the international guests at Shadow Woods and much in the same fashion as previous installments, the choice for high profile guests are still unexpected surprises. Hexis made an underground splash in 2014 with their album Abalam and since then, they have taken their twisted and tortured style of black/post metal in even more distant directions. I, for one, am preparing to be amazed and perhaps made to feel strange feelings.

Review of Hexis - Abalam.

Human Bodies - Boston, MA.

Oh fuck yes. If there is anything you can count on it is me being excited by the still frontier realm of black / punk. From speed black to crust to hardcore with shrieking vocals, the grimy underbelly of the two genres collide in interesting ways. Human Bodies is an great example, as no matter what time of day they play, it is always going to be a party like a mortuary fire.


I


Infera Bruo - Boston, MA.

Infera Bruo is slightly confusing since their name and album cover don't really convey the complex relationship this band has with heavy music. Black, progressive, hardcore, post black, jangly electronic, and probably a handful of other genres all mix to create something undefinable but undeniably interesting.

Review of Infera Bruo - Desolate Unknown.

Atmosphere from last years Shadow Woods. Photos by Kaptain Carbon.

K


Kyoty - Dover, NH.

I think more than anything I want to be Kyoty’s graphic designer, as this band has fully embraced the beauty of minimal art. In place of rotting skeletons or necrotic beats, cool abstract covers grace albums that are full of sleek sludge doom. This is not doom that fishbowls a crypt rather is the introspective longing one has on a misty cliff in the middle of nowhere.


M


Mome - Portland, ME.

Alright, it is time to get weird. It is not like Shadow Woods hasn't been home to some off kilter bands in years past but Mome may be up there as the weirdest. Now, before you guess ritual ambient or noise since all of that is old news for people, the sound of krautrock inspired bedroom doom synth will truly get you in that special headspace for the weekend.


N


Nechochwen - Wheeling, WV.

My only disappointment is that I am not going to see a full electric set from Nechochwen, which is sad since their 2015 record Heart of Akamon was the toast of the underground ball. Nechochwen caught everyone by surprise with their mix of classical guitar, native american themes, and chilling black metal. My only solace in the proposed unplugged set will perhaps be a once in a lifetime event given the venue and atmosphere.


Night Raids - Philadelphia, PA.

Oh yeah, this feels like a gut punch. How much noise and disaster can two people from Philadelphia really create? The answer lies at Shadow Woods during Night Raid’s set, which I am sure is either going to end in headaches, fire, or both.


O


Obsidian Tongue - Medford, MA.

Obsidian Tongue is somewhat related to US atmospheric black metal band Falls of Rauros as well as the Canadian folk / black project Thrawsunblat. Though Obsidian Tongue is not entirely like a mixture between the two, it is in the same ballpark and will be sure to catch the interest of people who enjoy the idea of animal skeletons in the woods.


P


Panopticon - KY/MN.

Panopticon is perhaps the headliner for Shadow Woods. Along with Vastum, Panopticon is the name that draws the most amount of acknowledgment from people, as this project is one they most likely have heard about. The chance to see this project live is a big deal as the competency with atmospheric black metal, American folk, and hateful transcendence is surely something that will be the highlight of the weekend.

Review of Panopticon - Autumn Eternal.

Percussor - PA/DE.

Percussor worships at the altar of death metal. Obvious connections can be made to bands like Morbid Angel, Deicide, and Bolt Thrower as this band swings for the fences in terms of grindy death metal. I have always loved the death metal sets to offset the black and doom ones and I am picturing this set being a perfect afternoon performance.


S


Seasick Gladiator - Washington, DC.

Seasick Gladiator has a strange name to match their odd music. If hammering down the sound, it would be instrumental progressive metal with a prominent violin. Add to this the celebratory art pieces for each of their songs and one has a bizarre and immersive hallucination.


Sloth Herder - PA/VA/MD.

Sloth Herder has been a mainstay around the local area and having them at Shadow Woods is going to be exciting. Though their name sounds like slow stoner doom, Sloth Herder’s delicate mixture of black metal, grindcore, and noodling chaos makes it the perfect mess to get really into during the weekend. Expect nothing less than a liquor store robbery by masked men while wielding torches.


T


Take to the Woods - Baltimore, MD.

Take to the Woods is an acoustic neofolk project from Baltimore. This is most certainly going to slot into the more quiet projects of Shadow Woods. With both an occult and dark undertone, combined with some great bedroom recordings from the artist, this will be an act that will speak to a select group looking to commune with the spirit of old.


The Owls Are Not What They Seem - York, PA.

The Owls Are Not What They Seem has been a Shadow Woods institution since its beginning. It is most certainly going to be late at night as the sound of ritual ambient and dark tribal is perfect for those times between the cusp of sleep and the middle of consumption. Be prepared for some of the strangest soundscapes similar to the machinations of the mad.


Toke - Cape Fear, NC.

I'm going to give you one guess as what type of music Toke plays. If the dayglow pot leaf on the cover of their record was not enough indication then the sound of blistering stoner doom should be a big tip off. What was surprising about this North Carolina band was how spite fueled their music really was. Similar to the disdain exhibited by bands like Eyehategod, Toke is here to smoke your weed and call you names.

Review of Toke - (Orange).

V


Vastum - San Francisco, CA.

Out of every band, I believe I am most excited about this one. This is not because I adore cavernous death metal that seems like it was raised by wolves, rather that Vastum's music has a certain viciousness that is not held by convention or trends and is something that seems innocent until it leaves deep gashes.

Review of Vastum - Hole Below.

Voarm - Richmond, VA.

I am happy to see more Richmond based bands as I want to expand my circle of metal from Baltimore to Richmond. Voarm plays a delightfully rotten variety of melodic black metal, which combined with its doom undertones is certain to amplify those negative emotions that have been clouding your thoughts.


W


Withered - Atlanta, GA.

I feel strange writing that I haven't checked out Withered, as this Atlanta based black/death band seems right up my alley. Instead of laying out the black/death aggression on one level, this band seems to channel that sound into deep production, which is well produced without any loss of brutality. Both chaotic and disturbed, this band is as surprising as they are effective.


Woe - Brooklyn, NY.

Woe continues to carve out NYC black metal, as their distinct brand of aggressive and grinding black metal feels like the cold touch of concrete and dirt. The band also has a brand new record for 2017, which will probably be on sale for the weekend by light of a campfire.

Review of Woe - Hope Attrition.

Worthless - NY/NJ.

Worthless is from New Jersey and maybe also New York and somewhere in that grey area lies some impressively depressive black metal that has all of the right tones of stinging rain.


Z


Zud - Portland, ME.

Zud, by now, can be considered an alumni to Shadow Woods as they are returning for their second, or maybe third, appearance. Zud has historically played last which is strange given their biker bar style black n roll would be perfect for anytime of the day.


Kaptain Carbon moderates Reddit's r/metal as well as writes reviews for lesser known black, death, and doom metal for Tape Wyrm as well as Dungeon Synth, Tabletop, and Movie Reviews for Hollywood Metal.

[Besides the 36 bands listed here Fiakra (heavy metal from Freehold, NJ) and Dee Calhoun (acoustic set from Iron Man vocalist) are also performing.]

November 10, 2015

Panopticon - Autumn Eternal

By Justin C. Panopticon's new album, Autumn Eternal, is surprising in a lot of ways. One of the biggest surprises to me is that it's not being hailed as a masterpiece. People should be running through the streets
By Justin C.


Panopticon's new album, Autumn Eternal, is surprising in a lot of ways. One of the biggest surprises to me is that it's not being hailed as a masterpiece. People should be running through the streets, tears streaming down their faces, clutching their copies and proclaiming its brilliance to anyone who will listen. Main man Austin Lunn, disappointed after his previous, also-amazing album leaked before it was ready, understandably kept a tighter wrap on this one, which I think is part of the reason it's not getting as much attention as, say, Kentucky did. So I'll have to do my part to shine a bright light on this one

If you listen to the opener, "Tamarack's Gold Returns", you'd be forgiven for thinking that Lunn is returning to a bluegrass/folk-inspired work like Kentucky. This album does not have that heavy bluegrass influence, but let it be known that I'd listen to a full album of music like this. It's not a throwaway opener by any means. But the very next track, "Into the North Woods", kicks in with the usual Panopticon black metal intensity, with swelling tremolos and intricate percussion. It's as good as any fan could hope for based on that intro alone, but near the track's end, we're treated to a martial-sounding drum pattern with mournful-sounding coronet above it, eventually joined by what sounds like chimes and perhaps a fife (or more likely, their electronic equivalents). It's a dramatic shift, but it’s not a startling one. It works beautifully.

In fact, almost all of these songs feature stunning turns that work against all odds. "Oaks Ablaze" starts out ferocious, but then halfway through takes a turn into what I can only describe as a dark 80s movie soundtrack, featuring a rolling tom pattern on the drums, ringing arpeggios, and a bass tone so rich you'll want to spread it on your toast and eat it. "Pale Ghosts" dips into a surprisingly sunny and major-key sound for a song with "ghosts" in its title. And check out those beautiful clean vocals! I think these juxtapositions are the key to the overall feeling of the album. Culturally, we see autumn as an ending and spring as a rebirth, but maybe this is an album that switches that idea on its head, treating autumn as a celebration of survival, not a sad prelude to hibernation. Lunn hasn't provided lyrics with this album, so I could be completely missing the point, but I can only speak to how it makes me feel, and it's a nuanced emotional state that features melancholy mixed with triumph. Then again, I’ve always felt that music is the art form we use to express those subtle feelings we can’t otherwise articulate.

This is a rich, hour-long album that I'll be coming back to a lot. Sure, maybe I've drifted into fanboy territory when it comes to this project, but I'll be damned if Lunn didn't top Kentucky with this one, and that's a truly high mark to reach. Get this album and start proselytizing to those who haven't caught on yet. This is album-of-the-decade material.

August 4, 2014

Panopticon - Roads to the North

Written by Aaron Sullivan.


The release of Panopticon’s fifth full length is no doubt one of my most anticipated albums of 2014. I was a fan early on, hearing the self titled debut in 2009. From the moment that album was done, I was hooked. Hearing this artist over the years progress in his sound and touch on new themes with each album/split has been a great journey as a fan. 2012’s Kentucky was an album that made its way onto many year end lists. Mine included; it was my album of the year for 2012, and one I wasn't sure he could top. But with his latest release, Roads To The North, he may have done just that.

One thing I have enjoyed over the years is how the themes Austin touches on have become more personal. His first two full lengths (and the splits) in between) talked of topics that were more global. But that changed with his split with Skagos; suddenly the topics became much more personal. As his life changed with the addition of a child, traveling away from family to other countries, and the starting of his own business, the lyrical themes became more about the effect these actions had on him, and then with albums like Social Disservices and Kentucky he drew from personal experiences to talk about the universal topics of mental health and the plight of the working man from his particular perspective. It’s no surprise that by doing this, each of those albums have become records that have depth and ones that I find myself being more attached to as a fan.

Panopticon’s brand of Black Metal has always been of the Atmospheric kind. You can always rely on great guitar work, hyper drumming, and emotive vocals; both harsh and sometimes clean. With each album he has added a new element and Roads is no different. With this album he has added hints of Melodic Death Metal, along with expanding on the Folk music and instrumentation used on Kentucky. The trick that he pulls off is not the usage of these elements, it’s that they never feel forced. They come across so natural, as if the American Folk music is as much a part of him as the Black Metal. For many years many the Scandinavian Black Metal bands have successfully been adding their countries style of Folk to Black Metal. So doing the same with American Folk just seem like a sensible thing, and with Panopticon and Roads to the North it certainly is.

No review that I am capable of writing will really do Roads to the North any justice. I find him to be THE most exciting thing in Black Metal today; with each album he just seem to get better. With Kentucky I feared he may have reached his pinnacle. With Roads To The North he has shown that he is only hitting his stride and there is much more to come.


[Go to the post to view the Bandcamp player]

June 3, 2014

Falls of Rauros / Panopticon - Brotherhood

By Justin C. When I got back into metal a few years ago, it took me a while to sort through all the subgenres to find out what I liked. (And given that there are 378 known subgenres with "-core" attached to them alone, it took a while.) As a result, I came to a lot of subgenres backwards. I don't have a story of my transformative introduction to black metal
By Justin C.


When I got back into metal a few years ago, it took me a while to sort through all the subgenres to find out what I liked. (And given that there are 378 known subgenres with "-core" attached to them alone, it took a while.) As a result, I came to a lot of subgenres backwards. I don't have a story of my transformative introduction to black metal by listening to A Blaze in the Northern Sky or De Mysteriis Dom Sathanas. For me, Falls of Rauros was one of my entry points. The Light That Dwells in Rotten Wood is still one of my all-time favorite albums, and I’ve been chomping at the bit for more ever since. I discovered Panopticon a bit later on, but Kentucky is simply brilliant, so I actually pre-ordered this split on vinyl, even though I don't own a record player. I wanted that download card in my hot little hands as soon as I could get it, even if that meant getting a big black circle that I didn't need, but now both bands have put their halves of the split up on their respective Bandcamp pages.

Falls of Rauros' two songs have more of that blend of modern folk and black metal that resonated so deeply with me when I first encountered them. Their acoustic guitar work remains heartfelt and integral to their sound, although their first track, "Unavailing," sees the band mixing in some tasty, classic rock-esque guitar harmonies and bluesy, bent-note riffs. But as good as "Unavailing" is, "The Purity of Isolation" is a true showstopper. My favorite part comes about halfway through the song, when the main melodic line is put front and center. I can only guess as to precisely what they're doing here--I don't know if the sound is purely electronic or if there's an instrument underneath being tweaked, but it's haunting. At times it sounds like a cello, and at other points almost like a saxophone. It's accompanied by quietly but insistently strummed acoustic guitar, and it's heart-breakingly beautiful. It remains so when it then explodes into a full tremolo-picked, blast-beated fury. It makes me feel like I should be on a mountaintop, screaming my lungs out in sweet relief. It's probably one of my favorite things the band has done.

I was initially thrown a bit by Panopticon's half. I still very much have Kentucky in my ears, so I was surprised when the blackened Appalachia of that album was replaced by the classic Norwegian black metal sound of these songs. (I shouldn't have been surprised, though, because Austin Lunn hasn't gotten his well-deserved praise by churning out the same material over and over again.) But that said, it didn't take me long to warm up to these songs. As many people who write about music will tell you, if you're going to work with a well-established sound, you have to play the ever-loving hell out of it, and Lunn does just that. Granted, this is Norwegian black metal filtered through Panopticon's very distinctive sound. There's no mistaking Lunn's roars over the infectious tremolo riffs and furious rhythms. The songs aren't steeped in cold, Norwegian atmosphere as much as they are just downright spooky. I don't know if "Can You Loan Me a Raven?" is an allusion to Edgar Allen Poe's work, but it would make a brilliant soundtrack to it.

Sometimes splits can feel a little schizophrenic, but somehow Fall of Rauros' blackened folk and Panopticon's Norwegian revival work together. Having the split on two separate Bandcamp pages gives you the option of picking and choosing between the two halves, but I think fans of black metal will want to get both and keep these songs together.

December 29, 2013

Aaron's 2013 Year End List

Written by Aaron Sullivan.

Never been one for arbitrary numbers. Nor ranking one album above another. Instead, this list reflects the albums I enjoyed the most this year, metal and non. Maybe some of your favorites are here also, or maybe I can turn you on to a few you were not aware of. Either way here it is:


Deafheaven - Sunbather

If forced to pick a number one, it would no doubt go to Deafheaven’s album Sunbather. I was such a fan of their demo when it was recommended to me by Last F.M. towards the end of 2010. It was exciting to hear how they mixed their BM with Hardcore and Post-Rock. It was so emotional. Then came the second album and it felt too straight forward. I dug it. But not like the demo. Hearing that a new album was coming out was exciting, but I was also a bit tentative about how it would sound. My first time hearing the album was live when they opened for Boris in May. They had the album there for purchase, vinyl only, so I passed. Then they opened with "Dream House". By the end of that song I had determined I would be purchasing the album before I left that night. The songs hit me much in the same way the demo did. It was all there. The ebbs and flows that I loved about the demo and more. Songs were vibrant and alive with emotion. I declared then and there it was my album of the year, and despite many great challengers, it was not beaten. I’m sure it will appear on many a year end list. One more couldn’t hurt (Be sure to check out the great review of this album by Justin C).


[Go to the post to view the Bandcamp player]


Primitive Man - Scorn

This is the closest any album came to topping Deafheaven for me. The band self released the album in February, it’s a monster of a record. To call it dark and angry is an understatement. I don’t even want to tell you what goes through my head when hearing this album. As I said in my review, “You get the idea from looking at the cover this is not a safe record with some cool riff and songs about drinking beer. This is as intense as the cover would have you believe. Songs have heft and weight to them. There is an underlying anger and ominous aggression no matter the pace of the music. It’s a vibe set early and often.” I had the pleasure of hearing them live this year. As intense if not more so than the album.


[Go to the post to view the Bandcamp player]


True Widow - Circumambulation

A great band I found out about after their second album thanks to a friends year end list for 2011. From the first listen I fell in love with this band. Their mix of Stoner and Shoegaze was unlike anything I had heard before. Closest example I can give, is think later Earth with vocals. Bassist Nicole Estill and guitarists Dan Phillips both providing those vocals. The music they make along with drummer Timothy "Slim" Starks is sparse and airy yet somehow have these great heavy riffs at the same time. The drums are huge and complement the music with their quiet thuds. "Four Teeth" is THE single of the year. Three albums in and they show no sign of going stale. Another band I had the pleasure seeing live this year.


[Go to the post to view the Bandcamp player]


Owlfood - Destroyers of the Moon

Another great find by a friend who was kind enough to pass it on to me. Their brand of Dronish Ambient is very close to later era Earth, as I said in my review, “Owlfood music is able to give me the feeling of being outside in a vast desert with mountains far off in the distance, gathered around a campfire as the sun sets on the horizon. The album is 7 tracks but is to be heard as a 27 minute piece. There are no pauses or gaps. One song goes right into the next so that the experience is never lost.“ Super chill music for a cold night.


[Go to the post to view the Bandcamp player]


Skagos - Anarchic
I wrote a review for this album back in June stating that I was not really sure how to best describe this album, and here we are at the end of the year and I still feel the same way. But I’m realizing that is the very thing I love about it. It’s not an album that can be summed up in a single sentence. But it is one that makes for many enjoyable listens. Everytime I hear it I catch something that I had not heard before. I love that sort of thing. As I said in my review, “It really is something that just has to be heard. To take something out is to lessen the overall. This is an album to get lost in, to be experienced from start to finish.” Very excited to see where this band takes itself next.


[Go to the post to view the Bandcamp player]


Pendulous - Mirrored Confessions
Very excited to have these local guys on my year end list. Even more excited they have something on Bandcamp so the world can hear what I have had the pleasure of hearing for some time. Heavy on tone and heavier with emotion is the debut from these guys. As I said in my review, “The combination of Death DOOM and clean atmospheric parts are well done. Heavy when it is needed while also allowing songs to breathe and resonate with the listener.” Vocals are great mix of the Death style and clean vocals that have a Patrick Walker vibe to them.


[Go to the post to view the Bandcamp player]

Liar in Wait - Translations of the Lost
Of all the albums on this list this one may have actually got the most spins of them all. I think it is attributed to two things. Length of the album (just a four song E.P. really) and just how good it is. It features two members of the amazing Blackened Sludge outfit Wolvhammer, but this is not Metal. This is described as Coldwave or Darkwave. I’ll be honest I have no clue what that is. Not genres I am all that familiar with. But this album is just great. Gothy with with a low monotone Bowie-esque vocal style that I just love. Guitars float over you. And a feeling of darkened sadness looms over it all. It also has a cover of a Fields of Nephilim song. Love love love this album (The Liar In Wait Bandcamp is streaming only...)


[Go to the post to view the Bandcamp player]


Chelsea Wolfe - Pain is Beauty

I LOVE THIS WOMAN! (hopefully the wife won’t read this) I was first made aware of her because she had the opening slot for a Wolves in the Throne Room show. I’ve been gaga for her ever since. Truth be told this album was not one I immediately liked. Not being a big fan of electronica and being a big fan of hearing her amazing vocals, this one took a while to get into. But when it hit, it hit hard. In many way this may be her most diverse album yet. But the thing I love the most is that with four albums to her name she has stayed consistent without repeating herself. Constantly pushing forward while staying true to her core. Highlights for me are, "They'll Clap When You're Gone", "House of Metal", and "Destruction Makes The World Burn Brighter".


[Go to the post to view the Bandcamp player]


Life Leone - Comes Crashing In

It’s bands like this that keep me showing up to shows early to catch the opener. These guys opened for Vista Chino (what Kyuss calls itself now). Had no clue who they were or their sound. But when they started playing I was all ears. They have this interesting mix of fuzzy Desert Rock riffs, and Indie feel to them. Songs are very catchy and you’ll find yourself singing them in your head long after hearing them. A great record to hear while driving.


[Go to the post to view the Bandcamp player]


Panopticon/Vestiges - Split

I love when an album comes with surprises. Anyone who knows me, knows I’m a Panopticon fan boy. Austin Lunn can do no wrong. Whether Panopticon, Seidr, or Kolga the man is always a part of quality music. And this split is no different. The songs lean more towards his Atmospheric Black Metal side then the American Folk infused Black Metal music on his Kentucky album (a 2012 album of the year for me). The third Panopticon song is a cover of of Suicide Nation’s "Collapse and Die", but the surprise for me was Vestiges. Having no idea who they were and going in blind, they impressed. Their Crusty Black Metal has hints of Post-Rock and great atmosphere. This is a great pairing of bands. It does what a good split should do. Pair two great bands that compliment each other. If your new to either of these bands this split is great introduction.


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Vaura - The Missing

Music like this is not something I usually find myself listening to. But the buzz about the bands second album was something unavoidable for me at least. So I checked it out and am glad I did. Featuring members of Maudlin Of The Well and Gorguts this is by far one of my favorites of the year. This gets a ton of spins. A great mix of Black Metal and Post-Punk with gothy undertones. Songs are addictive and have the same vocal style of Liar in Wait that I love so much. They can pull off dark and brooding, melodic and catchy all in one song. I now see why there was such a buzz about this album.


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Batillus - Concrete Sustain
CRUSHING!! Another one of those bands I was way behind the rest of the crowd. I missed their debut. But hearing they were playing a show here in L.A. to support their new album, I thought I would check them out. WOW! Their Industrial tinged Sludge is one that kicks you square in the face and your only answer is, “Please sir may I have another?!?!” Great atmosphere throughout and songs that are more to the point then their first album. The song "Concrete" is a great opener. It makes you feel like smashing through a concrete wall (that’s a good thing). This was an album that was an early frontrunner for album of the year for me. Seeing them live was also a great experience, highly recommended (Be sure to read the great review of this album by Justin C).


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Jex Thoth - Blood Moon Rise
Along with Lori from Acid King Jex is one of the great women of DOOM. Her songs are are part Stoner Rock, part DOOM, and part psychedelic rides. Her vocals are perfect balance of feminine and powerful, a female shaman if you will. There is a mysticism to her lyrics. But also some wisdom, as found in the track To Bury.
“Remember this my friend, and the less you’ll have to bury. The more we keep collecting, the more we have to carry.”
It was five years between the release of this album and her amazing debut. But as they say, good things come to those who wait. (You can only stream one song from Blood Moon Rise, but be sure to also check out her work on the first Sabbath Assembly album).


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Torres - Torres
Female singer songwriter Mackenzie Scott who records as Torres. Her breathy vocals sung over her Indie style makes for a great album. Reminds one of P.J. Harvey or Cat Powers at times. Recorded live and minimalistic in sound. Lyrics are as if she is reading from her personal journal exposing raw nerves for all who wish to listen. One of those one off finds you were never looking for, but oh so glad you found.


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Usnea - Usnea

What an album! One I put off listening to for reasons I can not explain, so I urge you not make the same mistake. Just crushing. Their Blackened DOOM along with touches of Post-Rock and Sludge are mixed perfectly. As I said in my review, “The closest comparison I can make is to the first Altar of Plagues album. Not in terms of sound but how they can blend genres within songs and the album. There is an atmosphere of darkness that runs through this entire album. Even when it gets quiet (and that is not much at all) you never feel safe. You know darkness is lurking just around the next riff.” Fantastic debut.


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Jesu - Everyday I Get Closer To The Light From Which I Came

Yet another band that I really should have gotten into much sooner but didn’t (why do I keep doing that?). Between last year and this I have bought 8 of their albums to make up for lost time. 2013 saw Jesu return with Everyday I Get Closer To The Light From Which I Came. Over the years they have gotten a tad quieter than their debut. But the sense of longing and sadness have never lessened. Their droning riffs are filled with melancholy. This is one of those bands that scratches an itch that no other band can. Just another great album from a band that never lets me down.


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Wolvserpent - Perigaea Antahkarana

This was band I lost track of when they were originally called Pussygut. But seeing them perform live changed all that for me. They blew my mind in what was probably one of the best shows I saw the whole year (though seeing Neurosis w/ YOB in December may beat it). As I said in my review, “Wolvserpent is a two person band consisting of Blake Green on guitars/vocals and Brittany McConnell on drums/vocals/violin. They play what would be described as Drone/DOOM. Along with that are hints of Post-Rock, Ambient, Black Metal, and enough atmosphere to paint a picture by. Think Sunn O))) meets Godspeed while living in the woods with Wolves in the Throne Room.” Man am I glad I went to that show.


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Man’s Gin - Rebellion Hymns

This is a side project of Eric Wunder, half of the amazing Black Metal band Cobalt. I can not begin to express how much their first album Smiling Dogs means to me. With lyrics like, “So sinners unite, the sloven and weakened. If you’re beaten or broken press on frustrated.” is where I found solace during some rough times in my life. So to hear there would be another album in 2013 naturally brought excitement. The first was raw with a live feel to it. It had a Nick Cave vibe to it mixed with Americana and a vocal style that brings to mind at times Alice in Chains. The new one brings all those things back with more. This one finds Erik Wunder expanding his musical palette. This one feels like his Tom Waits inspired album because of how eclectic and, at times, how scrambled (in a good way) it feels. So many ideas going on in this album. The album also features Jarboe and the other half of Cobalt, Phil McSorley. I can never thank Erik enough for these records.


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Here is Part 2 featuring the bands that have no Bandcamp but are among my albums of the year.

March 10, 2013

Panopticon - Kentucky

By Aaron Sullivan. For my money THE most exciting American Black Metal band going, is Panopticon. Austin Lunn’s vision come to life musically. With 3 albums and countless split’s he has used each to explore different themes as well as musical direction. With Kentucky he has taken it to new level not only for him
By Aaron Sullivan.


For my money THE most exciting American Black Metal band going, is Panopticon. Austin Lunn’s vision come to life musically. With 3 albums and countless split’s he has used each to explore different themes as well as musical direction. With Kentucky he has taken it to new level not only for him, but what can be done in the realm of Black Metal.

Kentucky is a very personal record for Austin as it has been his home state for the last 10 years. In this album he speaks of the states history with the coal miners, how the practice of coal mining affects the environment, the massacre of Indians at Ywahoo Falls, and the forest he finds himself in when feeling lost. Now anyone who has been following Panopticon for some time knows that the addition of Folk (including banjo: see Collapse album) is nothing new for this band. With this album he turns it up a notch. Adding straight up Bluegrass and his take on traditional mining protest songs. Have no worry though. The Black Metal is in full force with songs like "Black Soot and Red Blood" and the epic "Killing the Giants as They Sleep". The sound is full and songs feel alive. The acoustic passages are rich with texture. The protest songs need no distortion or harsh vocals to get the anger across to the listener, their message is clear. As always with all of his albums, for me, the stand out is his drumming. The tone he has just grabs you by the throat and never lets you go.

This is a band I have followed from his first album. With each new release I thought he would never be able to top himself, and with each new release he does just that (Kentucky is my 2012 album of the year). With Kentucky he has set the bar very high. But with his talents I have no doubt he will meet and exceed expectations.

December 12, 2011

Panopticon - Social Disservices



Social Disservices, the new album by Panopticon was released on the Flenser Records Bandcamp. Musically it is vicious black metal, tempered with melodic post-rock influenced climaxes. Lyrically it is an aggressive and personal album as both the album title and the song titles ("Resident", "Client", "Subject", "Patient") suggests.

The last song "Patient" is a regular black metal symphony (not to be confused with symphonic black metal!) featuring some amazing drumming. Read more about the album in these reviews from Cvlt Nation and Don't Count on it Reviews.


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