Showing posts with label Agalloch. Show all posts
Showing posts with label Agalloch. Show all posts

February 2, 2013

Agalloch - Marrow of the Spirit

Review by Aaron Sullivan.

Artwork By Mark Thompson

In the span of three full lengths and multiple E.P.’s Agalloch have established themselves in the metal community. Their unique way of combining Black Metal, Post-Rock, Neo-Folk, DOOM, and multitude of other influences have set them apart. They have done what so many bands try and do and that is create their own sound. As soon as you hear them you know who it is. Their influence so big they already have countless clones. But never content to stand still, Agalloch grow with each new release. Marrow of the Spirit is no different and again shows the band shedding the past and moving forward.

Photo by Taylor Keahey

They set the mood right away with the instrumental “They Escaped The Weight of Darkness” Lush cello over the sound of a babbling brook and accompanied by chirping birds. Then the pounding of Aesop’s drums take you out of the sublime and “Into the Painted Gray”. Hearing this live was amazing. It was like an explosion of energy. Right away you get the feeling there is more of an emphasis on their Black Metal influences over the Post-Rock influence that was heavy on Ashes. The other thing you notice is what a great addition Aesop’s drumming is to the band’s sound(this being his first album to contain his drumming on it even though his being in the band since 2007). The crown jewel for many with this album is Black Lake Niðstång. Epic and emotional best describe this song. At seventeen and half minutes long it is the longest track on the album. But the beauty is it never lags or bores. Instead the seventeen minutes give the listener plenty to hear and keeps their attention(it also contains piano and field recordings courtesy of Jeffrey Neblock of a fantastic Ambient band called Vindensång). But for me, my favorite track is “Ghosts of the Midwinter Fires”. This song grabbed me the moment I heard it. The opening guitar line has a bit of an 80’s era U2 feel to it. Another track I am lucky to have heard live and it does not disappoint.

Photo by Taylor Keahey

Once again Agalloch have put forth an album that expands on what they have established in their almost 20 years as a band without repeating what had come before. In all honesty this album took a few listens to for me to really appreciate it. But I find that some of my all time favorite albums start that way.


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January 3, 2013

Aaron Sullivan's 2012 Bandcamp favorites

Written by Aaron Sullivan.


It’s hard for me to keep it to some arbitrary number. So instead I will list the ones I enjoyed in no particular order.

Jodis - Black Curtain

Fantastic sophomore album for this supergroup of sorts. As I said in my review "Jodis’ sound have much more in common with Khanate or Jesu than Isis. In fact if you crossed Khanate with later era Earth, this may very well be how the music would sound." This is an album you can get lost in.


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Agalloch - Faustian Echos

What can I say about a band I hold so dear. They prove whether it is an album or an E.P. they will deliver every time. Over 20 minutes and you never loose focus or turn away. It grabs you from the start and never lets go. To hear it live was also a highlight of my year.


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Saint Vitus - Lillie: F-65

DOOM legends. A title reserved for only a select few, Vitus being one of them. For a comeback album it’s a doozy. As I said in my review "For guys that had not recorded together in almost 15 years this album makes it sound as if they never stopped. This was always my favorite Vitus line up with Wino as the frontman. And while it would have been easy to do a quick record to cash in on past glory, this is not the case at all with Lillie: F-65, I’m glad to see they did not disappoint. This easily stands with their classic albums."


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The Shadow Principle - Golden State

If Prog is your thing then this is an album worth checking out. As I said in my review "Golden State see them mixing elements of Post Punk, Metal, and Prog Rock. The kind of Prog they play is the kind I enjoy the most. It’s that sneaky kind where at first listen it sounds as though it is your normal rock song. But underneath lurks the little flourishes that show there is so much more going on." Add to this mix a vocal style reminiscent of David Bowie and you get an interesting and original sound.


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Pallbearer - Sorrow and Extinction

An album that is blowing up everywhere and for a good reason. This is DOOM in it’s purest form. Having released a three song demo two years prior, you had a feeling of what they were capable of. Sorrow and Extinction far exceeded that. When Warning called it a day a void was left in DOOM. One that was vast. Pallbearer may just be the band to fill that.


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Alda - :Tahoma:

One of the great Black Metal albums released this year that mix elements of DOOM, and Folk. This seems to be something that is catching on, and I for one am all for it. Alda really pushed forward the ideas that they were going for on their self-titled debut. :Tahoma: is like an album of Pagan camp fire songs.


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Behold! The Monolith - Defender, Redeemist

Progressive Sludge with just enough grit and grime to never lose it’s street cred. No song stand still. Just as you get your DOOM on they hit you square upside the head with a riff straight from the Thrash handbook. I had the pleasure of seeing these guys three different times this year and they never disappointed. They sent the crowd into a frenzy. Quite frankly, Behold! wrote the best High on Fire album of the year.


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North - The Great Silence

This was one of the few bands to make my list that I was not familiar with prior. But man am I glad I am now. Playing Atmospheric Sludge with just a touch of Prog. As I said in my review "Whether you call it Post-Metal or Atmospheric Sludge it is a genre that is a bit on the bloated side. And while NORTH may not be innovators. They do enough to shine above the rest. Making a solid album that lends itself to repeated listens (also one that may very well be on my end of year list)." Self fulfilling prophecy perhaps?


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Planks - Funeral Mouth

A fantastic Sludge band out of Germany that I hope continues to gain in popularity. Never ones to rest on their laurels. As I said in my review "Planks has seen a lot of progression in it’s short time as a band. Starting as a Hardcore influenced Sludge band, they began adding Black Metal and Doom elements to later albums. This one adds the element of Atmosphere with great effect. Who knows what future albums will bring in terms of style. It’s just good to see a band want to expand their sound with each release.”


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Chelsea Wolfe - Unknown Rooms: A Collection Of Acoustic Songs

An artist that was brought to my attention thank to her opening slot for Wolves in the Throne Room. The minute I hear her I was hooked. Earlier albums have been described as drone-metal-art-folk. Which is quite fitting. But with this release she strips a lot of what she does to the bare bones. Making songs more intimate and allowing her voice to really shine.


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Velnias - RuneEater

The second best album combining Black Metal, DOOM, and Folk comes from Velnias. As I said in my review "As a fan I was anticipating this album for some time. As Sovereign Nocturnal made such an impression on me. There were many delays but it was well worth the wait. The band took what they do so well, expanded on it and refined it. Making an album that was beyond expectation."


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The Flight of Sleipnir - Ascension

Flight of Sleipnir combines DOOM with Folk in a way I have never heard. Lyrics about Norse mythology and battles. With three full lengths to their name all are quality. Ascension is a compilation album. Combining their demo and first E.P. along with a cover of Pentagram's Be Forewarned and a live version of Algiz from the Algiz + Berkanan album. I for one am a huge fan of this band and look forward to the new album come February.


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Kólga - Demo

First off I am a Panopticon fanboy. You tell me he is attached to something and I am checking it out. So when I heard he was a part of Kólga, well you know the rest. This is not too far from what Panopticon does. Raw Atmospheric Black Metal. Three songs clocking in at almost 30 minutes. It’s also free. So if this sounds like something you would like, then you are out of excuses.


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Rodha - Raw

Musically this what you would expect from a Sludge band. Heavy and slow. It’s the vocals that really set them apart. They bring a hardcore style to the album that fits well. Helping the lyrics a great deal. As I said in my review "The album is aptly titled. The recording has a rawness to it but more important the emotions contained within the lyrics are raw. You get the feeling these are not just words to be sung, but to be felt."


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Samothrace - Reverence in Stone

I picked up their first album Life’s Trade after it made Decibel magazine’s year end list. I was glad I did. Playing a slow crushing style of DOOM. Not Funeral and not Death. Rather somewhere in between. For four long years we waited for a follow up and when released my first thought was, “FOUR YEARS AND ALL WE GET IS TWO SONG?!?!?” Oh but what songs they are. More about feeling than actual notes. Songs move like glaciers. Yes it would be nice to get more. But sometimes less is more.


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July 2, 2012

Agalloch - Faustian Echoes - The Grey - The White



Agalloch has made a new song, Faustian Echoes, available at their Bandcamp. It is a single, two-part song based on Johann Wolfgang von Goethe’s epic masterpiece “Faust.”. It is also the longest song Agalloch have ever written. Islander from No clean Singing said this about Faustian Echoes:
The piece works in a melodramatic, sturm-und-drang mode befitting its source material, with a central section recalling the melodic doom passages of Yob, and fluttering guitar leads that reminded me a great deal of the last Cormorant LP—which is always a good thing. Much like their previous 20-minute epic, “Black Lake Nidstang,” Faustian Echoes has a remarkable ability to hold my attention for its complete duration.

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Also, you can now buy the companion EPs The White and The Grey at the Agalloch Bandcamp. The Grey from 2004 is a re-interpretation of two songs from their second full length The Mantle, and The White from 2008 collects seven lovely neofolk and dark ambient tracks.


[Go to the post to view the Bandcamp player]

[Go to the post to view the Bandcamp player]

November 9, 2011

Agalloch rarities and limited compilation tracks


Photo by Carmelo Española.

Agalloch has set up a Bandcamp for some of their rare tracks, mostly from various compilations. Many of the tracks are acoustic instrumentals in the style of The White EP. The one track that features an electric guitar is the quite progressive "Scars of the Shattered Sky", originally from side D of the Ashes Against the Grain LP.