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Way back in 2012, a fantastic self-titled EP by a band called Chrome Waves came out. Natalie Zina Walschots described it evocatively on our own site, saying, “Heavily blackened and beautifully atmospheric, the record displays both a light touch and a heavy mood, like a delicate sketch made with a piece of charcoal pulled from a funeral pyre.” But then for a variety of reasons, the group went dormant, and I sadly thought that the EP was the only thing we’d get.
But rejoice! With some personnel changes, founder Jeff Wilson (formerly of Nachtmystium, Wolvhammer, and Abigail Williams) has brought Chrome Waves back to life with a new full-length, A Grief Observed. I don’t think I’ll come up with anything quite as poetic as Natalie’s words, but I’ll give it a shot.
Genre tags are tricky with this project. I’ve seen post-black, blackened doom, and even blackgaze, all of which are kinda/sorta accurate, but also miss the mark a bit. My oversimplified categorization involves the marriage of DBSM with funeral doom, but without the more polarizing aspects of those subgenres (the yelping vocal style and epic song lengths, respectively). The second track, “Past the Lights,” hits a lot of these marks: It’s a moody piece, but pierced by vicious blackened rasps with just a hint of emo edge. The melodicism is strong throughout the album, whether it’s conveyed by passages of delicate guitar work or the occasional clean vocals.
The title track is a slow burner with heart-on-sleeve emotions, riding on graceful swells and falls in the string-like synths and the rhythm section. But the album isn’t all slow and brooding. Those familiar with Wolvhammer will recognize a punky black aesthetic that shows up in “Predatory Animals,” a rager that manages what a lot of more esoteric metal fails to do: be legitimately, pop-song catchy without a hint of cheesiness.
Really, the greatest strength of this band might be their ability to touch on so many different aspects of metal without sounding like a mixtape of different bands. Each song is unmistakably Chrome Waves. A lot of musicians are capable enough of evoking influences, but it’s the seamless blend that separates the wheat from the chaff, and Chrome Waves delivers. It may have been a long hiatus, but here’s hoping for a lot more music from them in the future.
