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| Artwork by Misanthropic-Art. |
If you don't already know, Cauldron Black Ram are living death metal legends from Oz. This band has been making uncompromising original death metal since 1996. Slaver, their new release for the venerable label, 20 Buck Spin, takes their sound to new heights. This band cooks more flavor into a single riff than most bands eke into entire albums. Theirs is the sound of a power trio taken to its fullest extreme.
Never a band to blast beat their way from start to finish, each composition on Slaver is packed with ever-changing rhythms and feels. This is what sets Cauldron Black Ram apart from other acts in extreme metal. In a single track, they're liable to thrash it up at a gallop, only to slow things to a lurch, then lock into an OSDM style mid-paced stomp. Slaver continuously leaves the listener wanting more of each tasty riff only to outdo itself in intensity with what comes next.
The band's know-how comes from experience. The members' other active projects - Mournful Congregation and StarGazer to name just two of many - are legends in their own rights. Both of those bands have also been making high-test death metal since the mid-90s. What is so interesting about Cauldron Black Ram is that theirs is a sound that is always re-inventing itself. Unlike nearly any other death metal act comprised of elder statesman who've been making music for the past quarter century, Cauldron Black Ram's material keeps getting more and more fresh with each new release. To date, Slaver is their masterpiece. The fat is trimmed. The menace is visceral.
Favorite moments on this record include but are not limited to the following examples. The second riff in the second song, titled, "Smoke Pours From The Orifices From The Crematory Idol" (If ever there was a song title that conjures the ambiance of the music within, this is it): the disjointed drumming tramples forth like a violent stampede. Another blood curdling detail occurs and recurs in track four, "Graves Awaiting Corpses" (Another fittingly evocative title): The corroded arpeggiated guitar chord that creeps out of the rests during the verse and claws at you with its rusted hook. Memorable moments such as these abound across the entire wretched run-time of Slaver. The seasick rhythms, the gurgling tar-pit low end and the craggy guitars all punctuate the rough edges of this jagged, fearsome music.
This music originates in a scorched section of the Earth. Australia is home to some of the most extreme metal being made in this day and age. The unholy trinity of Portal, Impetuous Ritual and Grave Upheaval, in addition to StarGazer, Mournful Congregation, Temple Nightside, Consummation have all together significantly raised the quality standard of what extreme metal can be. Up to now, Cauldron Black Ram was perhaps the least well known of this pack, lurking in the shadows & toiling away with evil patience. Slaver stands to mark their name on the map indelibly, for all those who dare to venture to death metal's darkest depths. The fact that the vinyl of the first pressing of Slaver already sold out on release day shows that people are taking due notice of this massive record.
