Showing posts with label Grift. Show all posts
Showing posts with label Grift. Show all posts

September 8, 2017

Grift - Arvet

By Hera Vidal. When I think of black metal, I think of harsh terrain and a chill that reaches the bone. It’s quite rare that a record would be considered “ethereal”, but when that record makes use of
By Hera Vidal.


When I think of black metal, I think of harsh terrain and a chill that reaches the bone. It’s quite rare that a record would be considered “ethereal”, but when that record makes use both of its sonic landscape and its folk-like nature to create music that seems to vibrate, then the adjective fits. There is also something else – a memory of something lost that is within reach, but you can’t seem to grasp. Whether that memory is from your childhood or from something that you know experienced in a past life, you can’t deny that there is something magical in Arvet.

Arvet is Grift’s second album, and it sounds incredibly polished. There is something sincere about the record, and the listener immediately feels at ease with its sonic presence. Lyrically, it allows for the exploration of memory and heritage through the immersion of music. The music in Arvet is quiet and forlorn, evoking a deep sense of nostalgia and what feels like weightlessness. It almost feels like you are in a lucid dream and you are watching how events from your past unfold and seem to influence the present. Of course, you are welcome to escape your fate and create something out of it, but the album’s mood makes it clear that, if you are vulnerable, you go back to the familiar.

As the music continues to play, you realize that this album is meant to be an experience, and one that takes you away from the present. The melody balances the vocals, allowing the vocals to shrine through, but it doesn’t take the listener from appreciating the music. It’s incredibly atmospheric in nature, allowing the listener to project their emotions and thoughts onto the music. What I love most is its subtlety, allowing various degrees of sounds to come through. The various instruments, vocals, and sounds used throughout the album makes it intimate, as you are sharing something with Grift. Whether those are memories or the heritage of a culture passed sonically, you can only wonder why Grift chose to share it with the listener.

There is also interesting sounds used throughout the album. You can hear the sound of bells, of owls hooting in the night, and of what sounds like campfire crackling in the distance. It adds layers of warmth to the forlornness of the music, and the usage of various vocals give it a story-telling effect. It reminds me of Skuggsjá’s A Piece for Mind and Mirror, as the tonalities used are incredibly reminiscent. There is a strange comfort in listening to Arvet; there is something about it that triggers something distant. Whether it is the aforementioned nostalgia for something within reach, or whether it’s the magical nature of the album that triggers a memory, you cannot deny the authenticity and genuine nature of Arvet.

All in all, Arvet is an album with incredible production, set subtleties that allows the music to come alive, and allows you to interpret its nostalgic nature as you desire. A great album on the first listen, each subsequent listen lets the mind wander and explore the meanings behind it. There is always something to come back to when you pick up Arvet. Explore the depth, emotions, and concept of heritage at your own leisure.

September 18, 2015

Grift - Syner

By Majbritt Levinsen. This album is the essence of reflections made by a person that has had too much time to think in his own solitude. A person that honors the past, dwells on it and lets it dissolve into the present. I know from reading about Erik Gärdefors, the mastermind behind this album, that he draws inspiration from the southern Swedish landscapes that he grew up in
By Majbritt Levinsen.


This album is the essence of reflections made by a person that has had too much time to think in his own solitude. A person that honors the past, dwells on it and lets it dissolve into the present. I know from reading about Erik Gärdefors, the mastermind behind this album, that he draws inspiration from the southern Swedish landscapes that he grew up in and from various Swedish poets, old movies, and Ingmar Bergman. With a clear vision he has transformed these sources of inspiration into 6 tracks of calm and focused black metal melancholy.

And so the album begins with the grieving sounds of a hurting piano/harmonium before the atmospheric black metal comes in together with the evening mist and the quiet night. The philosophic mood settles in, and though I’m not alone in the house, it feels like the surrounding floats further and further away, leaving me alone with "Aftonlandet", my feelings and my thoughts.

The slow but powerful agonizing "Svältorna" is so incredible beautiful in its melancholy. That vast sound that carries the shrieks, which echoes through sleeping landscapes must awaken even the most dormant feelings of anybody that cares to listen.

You might have seen the wonderful melancholic video to the song "Svältorna". It portraits a beautiful, but also harsh, black and white landscape with two generations (Erik and his father) wandering in the landscape of Kinnekulle. The video is mellow and strikes a quiet mood, which invites us to spark our imagination and make up our own interpretation of its meaning. Daniel Blomberg, from the crust/hardcore band M:40, shot and edited the video and also sings the second verse of the song.


The most stripped down and bare track on this album is without a doubt "Slutet Hav" and here Eric has captured the essence of the Nordic pensive melancholy. You can feel the crisp icy winds kissing your cheeks, you can hear the silence.

The following track "Undergörare" is more upbeat and has, like the rest of the album, traditional Scandinavian folk music inspirations. I can’t help feeling I’m being asked to dance. A pair of sturdy firm arms grips my waist and an arm and whirls me around, leads me, guides me in a dizzying and nauseating dance, that I don’t really want to participate in but in the same time feels comfort in.

The closing track "Eremiten Esaias" starts with no surprises; grinding atmospheric black metal guitars, pounding drums without any bigger variation, a steady bass and Eric's agonizing roars. But around the middle of the song it opens up and lets some magic and air in through all of the doom and gloom. Andreas Brink adds to this sonic escape with some lap steel that closes off this album together with Eric on harmonium.

Besides of Daniel Blomberg and Andreas Brink, Erik has invited other friends to join in on this album. Daniel Abrahamsson from The Ascendant and Excessum plays a guitar solo on "Det Bortvända Ansiktet" and Andreas Pettersson from Saiva and Stilla lends his clear vocals to "Undergöraren".

All in all Syner is a beautiful album, capturing the Nordic melancholy by its core. It is an album that might get you to think about your own ancestry and the landscape you grew up in. How you are tied to your past and how we all wonder where we are aiming our lives. The airy atmospheric black metal riffs combined with the rhythm of old Scandinavian folk songs gives the album an overall feeling of laid back sadness. I must say I was pleasantly surprised and I hope you will be too.