Showing posts with label Naturmacht Productions. Show all posts
Showing posts with label Naturmacht Productions. Show all posts

November 28, 2015

Grima - Devotion to Lord

By Justin C. I've always thought "atmospheric black metal" was a bit of a misnomer. To me, the name implies a very wispy, maybe even ambient sound, whereas a lot of atmospheric BM has plenty of fire and
By Justin C.


I've always thought "atmospheric black metal" was a bit of a misnomer. To me, the name implies a very wispy, maybe even ambient sound, whereas a lot of atmospheric BM has plenty of fire and brimstone to it. It just happens to be a bit more melodic with some quiet parts thrown in. Case in point: The Siberian duo Grima and their debut album Devotion to Lord. (Their Bandcamp page clarifies that "lord," in this case, is "Mother Nature and no human god," so we're not talking about any "white metal" here.)

The two tracks that Naturmacht originally previewed, "The Beginning" and the title track, really drew me in. Grima play heavily melody-driven black metal. The vocals are primarily an icy rasp, although there are deeper growls and the occasional chant-like clean mixed in. The audible bass is a nice touch and always appreciated, and the riffs are heavy on the tremolos. The title track brings in a little Alcest in its intro, but only for a moment. The two bands certainly share a strong melodic sense and an ability to capture a dream-like feel, but I wouldn't lump Grima in with any of the blackgaze bands. This is more of a hybrid of that sound and the nature worship in a lot of Cascadian black metal.

But that brings me to the other thing I enjoyed about this album. Unlike the polished studio recordings you here with a lot of blackgaze and Cascadian recordings, there's a rough-hewn quality to Grima's sound, not so much because of the production, but because of the performances. Grima isn't afraid to leave an arpeggiated riff naked with no accompaniment, like near the midpoint of "The Beginning," and it has a great "recorded live" feel to it, with an occasional string buzz left in. I often struggle with this in my own chintzy recordings--do I go for a raw, one-take recording, maximizing the emotion of a spontaneous performance, or use whatever limited abilities I have in recording to polish the sound? It sounds like Grima's gone for the former here, and that suits the heavy emotional impact of their music very well. And although that doesn't make for a revolution in the atmospheric black metal subgenre, I'd still highly recommend this for people looking for atmospheric BM with a Siberian twist.

April 26, 2015

Throes - Disassoctation

By Kevin Page. This Bristol/Birmingham, England band got it's start in 2011, but were forced to disband. They have now reformed as a two piece and featuring A.C. handling all instrumental and musical writing duties, bring us their debut album, Disassociation.
By Kevin Page.


This Bristol/Birmingham, England band got it's start in 2011, but were forced to disband. They have now reformed as a two piece and featuring A.C. handling all instrumental and musical writing duties, bring us their debut album, Disassociation.

"Stay calm, stay calm", a voice tells us, right before the pummeling of the first track kicks in.

If you are familiar with any of A.C.'s past work in Purify the Horror, Theoktony, Towers of Flesh, Necrotize, The Solemn Curse or Binah (yeah, the guy likes to play in a lot of bands), you'll immediately recognize his signature drum sound. But what separates this album from anything else he has done is the unique approach to death metal. Infused with slight touches of industrial and electronic music, this gives it just enough of a twist to stand out from the sea of endless releases you'll encounter. Yet by no means do these elements detract from it essentially being a death metal album through and through. The vocals are harsh, dripping with catharsis and burning with anger. DG (also of Fever Sea) wrote the lyrics that deal with the broad spectrum of human emotions: death, fear, anger, paranoia, absolution, and detachment. These feelings are also reinforced in the sound clips used throughout. They are all from real people, expressing real feelings. No horror movie quotes or war cannons here.

Overall, I like the sound of everything on this album. The timing of the hooks are perfect. The machine gun drums, the crash of the cymbals, to that slight industrial tone of the guitar. The electronics are just enough to give you a taste without getting in the way or negating any of its viciousness. I can't say there's any one specific thing that is overly original, but the way it's combined adds up to something much greater than its respective parts. This is one of those releases I can easily see slipping under a lot of people's radars, but let's hope that's not the case.

Favorite track: "Nacroanalysis".


April 18, 2015

Just the Facts - April 2015

By Kevin Page. I was gonna call this the doom metal edition, but with the preponderance of doom these days, I'll probably end up doing at least 1 more of these before the end of the year. Anyways, enjoy :)
By Kevin Page.

I was gonna call this the doom metal edition, but with the preponderance of doom these days, I'll probably end up doing at least 1 more of these before the end of the year. Anyways, enjoy :)


Band:Endlesshade
Country:Ukraine
Label:Rain Without End Records
Genre:Atmospheric death/doom
Interesting fact:Natalia Androsova (vocalist) and Michael Chuga (guitarist) wrote the album before they found other musicians, so it took years before it was actually recorded.




Band:My Shameful
Country:Finland
Label:MFL Records
Genre:Funeral/death doom
Interesting fact:Even though the band has its origin in Finland, it is now considered an international band with members all across Europe




Band:The Slow Death
Country:Australia
Label:Chaos Records
Genre:death/doom
Interesting fact:Vocalist Gregg Williamson passed away at the age of 40 due to heart failure on December 2, 2014. This is his final release with the band.