Wednesday, August 17, 2016

Gilded Lily - Mongrel's Light

It's always gratifying to see a band progress. I reviewed Gilded Lily's blast of rage just a little over a year ago, and they're already back with a full length that finds them making a huge leap as a band.
By Justin C.

Artwork by Quinn Henderson

It's always gratifying to see a band progress. I reviewed Gilded Lily's blast of rage just a little over a year ago, and they're already back with a full length that finds them making a huge leap as a band.

Mongrel's Light is a more focused and powerful album in almost every way. The sound is dark and heavy, the production is better, and a clear lyrical theme runs throughout. But don't mistake that change for the band losing any of their original fire or chaos. The heart of the band is still black-ish-grindy-death-y metal, but they're in no way afraid to take a sharp turn when they want to. "Bellflower," a song with a deceptively pretty name, starts out with galloping black metal, but eventually throws out some sweet guitarmonies before moving into a doomier section.

"A Spare Room" recalls some of the unhinged sounds from the first EP. The sound fittingly puts one in mind of someone screaming into a nearly empty room, be it as a result of imprisonment or worse, while the guitar and bass--at least at first--lay relatively low next to a layer of static, ultimately breaking out and sharing space with a cleanly sung line that sounds both angelic and haunted at the same time.

Although "A Spare Room" isn't exactly typical for the whole album, it does reflect the bleak atmosphere. I mentioned lyrical themes earlier on. This album tells the tale of a bleak city, sometimes in ruins, and sometimes in the process of collapse. Perhaps it’s a straightforward, apocalyptic take on society, or perhaps it's more metaphorical than that, using the idea of a crumbling infrastructure to describe the song’s subject’s own failings. "The City Ends" gives us
In the wreckage of a dozen burned bridges / Picked through by mutts and beggars / The mementos of languished friendships...
"Bellflower" tells of someone trying to get lost in a city known too well, and observes,
I can see you thumbing at your empty pocket / Where you used to keep the knife you bought / You used to think you could use if you needed to...
Does this person need to defend themselves, or are they looking for violence? Clearly Gilded Lily has taken their lyrical game way up, but both the EP and this new full-length reward listening with the lyrics in front of you.

The energy, the filth, the poetry. All of these make this a band to continue to watch. Mongrel's Light is a quantum leap ahead for Gilded Lily, and I can't wait to see what they do next.


Tagged with 2016, black metal, death metal, Gilded Lily, Justin C, post-hardcore
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