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| Artwork by Gary Tonge |
Tanagra are an unsung hero within the recent US power / traditional metal revival. In 2015, with little fanfare, they released a great debut, None of This is Real, a scrappy mix of traditional and power metal anchored by Tom Socia’s vocals. Closer to traditional metal that power metal, Socia’s vocals are mostly tenor, with a touch of grit giving the band a unique sound in a space rife with squeaky clean cleans and falsetto.
Tanagra, in contrast to much power metal, maintain a lower intensity than typical of the genre. Clearly intentional, and by no means a criticism, Tanagra keep things at a controlled burn. Songs never escalate to a falsetto scream or a huge rhythmic breakdown. For Meridiem, though, the band have polished their sound and really dug into their epic side. It’s bursting with complex arrangements, epic vocals, sweep picking and tapping guitar leads, orchestral embellishments, and even features some forays into odd time signatures like on None of This is Real. The band have upped the ante considerably from their debut, but kept their hallmarks, especially the tenor vocals, which now occasionally dip into baritone. Making no bones about all this the album opens with the over 11 minute title track, starting with the ominous ticking of a grandfather clock before launching into Tanagra’s progressive power metal assault.
It’s immediately evident that extreme care and creativity has been given to the composition and performances and digging into the albums lyrics shows the same. Though not ostensibly a concept album, Meridiem’s songs center around a cohesive fantasy world and tell epic stories of struggle and strife within it. It’s unclear if the band has created the world or simply written in an unnamed existing fantasy world, but either way it adds depth to the music for those willing to dig deep and the band clearly want that, having posted lyrics with all the songs on Bandcamp.
For all the boxes Meridiem ticks, though, it’s let down a bit by it’s production. For all the dynamic instrumentation and vocals, the net result sounds a bit flat. It could be that it’s more compressed (DR 5 to None of This is Real’s DR 8), but Tanagra’s extremely controlled music is robbed of impact due to the production. Some will likely find it more noticeable than others, but it can make the album a bit harder to engage with that it would have been with a more dynamic mix.
Meridiem is very much worth engaging with. Tanagra fill a niche that not many modern bands do, and they do it very well.
